Russell Earl

Guitar ace Russell Earl has been a powerful presence on the Vancouver music scene for more than 30 years. At 15, he would sneak out of his parents' East Van residence to play between strip shows at the Penthouse; two years later he was in the house band at famed '70s hangout Lasseter's Den, performing with the likes of Powder Blues guitarist Tom Lavin (who handled bass back then). By the time of his first pro gig, Marsland had already been exploring the guitar for a decade.

"I was five the first time I picked it up," relates the 50-year-old fretmaster, calling on a cellphone from a "Zenlike" Richmond farm, Russell says, "I just decided I was gonna play, and that was it, you know. It wasn't the Beatles, it wasn't any of that. For some reason, the guitar was the thing for me, so I promised my mom and dad that I'd be a good boy if they went out and got me one."

Russell's folks picked him up a particleboard "Cowboy Bob" six-string at a church bazaar, and the pintsized guitar freak was on his way. There was lots of musical inspiration in the family: his mom played piano, and his grandfather had tickled the ivories in the renowned Mark Kenney Orchestra. The strains of Dixieland, swing, and country were common in the Earl
household, but it wasn't till young Russ was nine and caught wind of the blues that his musical forte was revealed.

"Call it a premonition or whatever you want," he says, "but the minute that I heard B. B. King open his mouth and bend his first note, I just went, 'That's it!' And when I was about 12 we had a soul band in the basement, with a horn section and the whole thing, and we were playing Sam & Dave and Wilson Pickett and all that, when everybody else's kids were listening to the Banana Splits."

Earl's emotional bond to bluesy music became even stronger when, in his early 30s, he was hired by Peavey Electronics to do clinics for their guitars and amps in Mississippi. "I had no preconceived or romantic ideas about going to the Mississippi Delta," he explains, "but when I got there, it's like a big sort of wave hit that I'd been there before. I mean, it sounds weird, but I felt completely at home there; I almost knew the streets. It's the same feeling of déjà vu that I get from this record."

The record Earl refers to is Dig Deep, a deeply layered, 80-minute journey to the heart of the blues--with the odd detour into country rock. Although he's worked on more than 100 albums by other people over the years, this is his first solo outing, which he was ably assisted on by local keyboardist, engineer, and producer Chris Gestrin. "Basically, he's a very hip jazz player," notes Russell,"and I went to him with a couple of ideas--just things in my head, emotions and sonic ideas. I had one song in my mind, and I just laid it down for him on acoustic guitar, and right off the bat he believed in it. He said, 'This is awesome! When do you want to start recording?' "

With Gestrin at the controls, Russell Earl set out to find the sounds that were coming to him in his head, and he was determined to create them his own way. Experimentation was the key. "Rather than using all these great drummers we know, I had this idea where organic sounds become the groove," Russell says. "I remember hearing this incredible rhythm coming from this clothes dryer in Chris's place. It was thumping away and it was laying this groove down, and I went, 'I like that!'
Russell Earl has played with James Brown, Tower of Power, Ray Charles, Allman Brothers, War, Chuck Berry, SRV, John Hammond, and BB........Just to Name a few!
There will be a fire on the stage tonight!!!
This ain't Yo Mama's sleepy Blues show
A must to check out!
Russell Earl will knock you out!!