Sean Bones
New York City, New York, United States | INDIE
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Sean Bones’ debut album was heavily influenced by reggae. This new single’s greatest inspiration was Brooklyn’s seemingly endless winter, and a preset on a decades-old drum machine. Says Bones:
This winter I fought off the nasty weather with a drum machine. I got this old wooden Hammond thing in the fall, and I’d hide out in my draughty bedroom at night, meditating on tonal beats while winter buried my van and ripped leaves from the trees. After a period of falling asleep to its punchy tick tock on the bedside table, song skeletons started to take shape in my dreams. Specifically a melodic “Latin” setting started to infect my day like all the nose blowers at work. Soon I was sick. And I was coughing in time. I called my brother to come over with his bass and we blasted our new song out the window until the snow started to melt. That’s how I made the spring happen on my street.
Sounds like Bones and his cough both got productive. And check the line “I’m gonna catch whatever you’ve got.” Sickness affected and infected his lyrics here as well. “Rhumba Beat”‘s watery lead guitar and organ almost obscure the titular beat, before it changes entirely during the second half of the single. Maybe “Rhumba Beat” signals outdoor activity weather, but it briefly hints at a darkened dancefloor as well. - Stereogum
Discography
RINGS 2009 Frenchkiss
Rhumba Beat Single Frenchkiss 2010
Photos
Bio
It all started with swim trunks, a Summer Reading zine and sunscreen. Oh, and a 7-inch; we cant forget that part.
Ive always wanted to do my own record, explains Bones (ne Sullivan), referring to the solo single he released as part of the limited S/S FRIENDS fashion line. I never thought it'd be reggae, but then last summer happened.
Ah, last summer. At the time, Sullivan was getting restless over the looming release of Sam Champion's Heavenly Bender LP, so he set aside some no-frills studio time. The two-sided result, Easy Street and Act So Casual, became an easy, breezy mission statement for Sean Bones, a project Sullivan describes as music that might cause people to scratch their heads a bit, only to realize that scratching their heads would make a good dance move. Indeed. Just ask the folks over at RCRD LBL, who got behind Sullivan early on and wrote, Canvas shorts and reggae music sound like summer spent by the water being lazy. Sean Bones is not lazy.
Sure enough, Sullivan spent many late nights crafting the dirt-encrusted reggae that drives Sean Bones Frenchkiss debut. Named after the pervading influence of such speaker-imploding 60s/70s standards as the Congos, Desmond Dekker and Lee Scratch Perry, Rings was first recorded live to a 16-track tape machine with one malfunctioning slot.
We were working with limitations from the start, says Sullivan. I also told the engineer (Jay Braun, whos also worked with the Stills and Jon Spencer Blues Explosion) to track the music in a way that hit the tape hard, stressing it out and giving us a gritty sound.
The result is a funky reggae party with feeling. From the sturdy rocksteady groove and sly Phil Spector nods of Cry Cry Cry to the dub flavor of Instigator to the twilight zone reggaeton of Smoke Rings Boness debut seem tailored to summertime-in-the-city. And then theres Dancehall, a friendly sparring match between Barrington Levy and latter-day Blur. So yeahthis aint Legend: The Fourth Generation here; its something much stranger.
Even when its poppy, reggae is heavy and weird, says Sullivan. Especially the early stuffits done on primitive equipment and its better for that. To me, thats punk, and I love it.
Hes not alone. Remember that early Easy Street/Act So Casual single? When Sullivan tried to book a Sean Bones show to recoup the costs of vinyl pressings and canvas shorts, he ended up signing a record deal instead. Not to mention scoring the starring rolewithout auditioning, mind youin Wah Do Dem, an indie film with loose connections to The Harder They Come and Rockers.
My character is this hapless guy named Max who wins two cruise tickets, but gets dumped and has to go on this trip alone, explains Sullivan. He spends a week on a Senior Citizens cruise before getting robbed and lost in Jamaica on his daytrip there. Somewhere along the way, he gets taken in and sees the real Jamaica.
You might recognize Maxs ex as a certain Norah Jones. While her character may ditch Max early on, the Grammy winner wound up contributing vocals to Rings closer Turn Them, a song catered to the films storyline. Landing such a high profile guest begs one question, of course: whats next, beyond a spring 2010 S/S FRIENDS collection involving ponchos and galoshes?
I'm not closing any doors, says Sullivan of his past projects, but when the idea to record my own reggae single came to me, I was so excited I had to stand on my fire escape. It feels right to be doing this.
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