Sean Cooney
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Sean Cooney

New York City, New York, United States | SELF

New York City, New York, United States | SELF
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"Playlist for the Big One | Sean Cooney – Deja Vu"

Brooklyn NY | It’s Friday and we’re going with shameless synth horns & plenty of pop hooks with the add of Sean Cooney’s Deja Vu to the Big Med Playlist for the Big One. Sof and Em both gave it a big thumbs-up and I confess that the damned song is now firmly stuck in my head. Welcome to my totally grooveable earworm nightmare [a very good thing in this case] courtesy of the artist whose latest CD is titled ‘The last thing I heard before the zombie apocalypse‘.. Cooney, a native of the District of Columbia now living in NYC, attended AMDA to study for Broadway shows. He’s self-produced – locking himself down in his studio and working wonders on an ensemble of synths. Cooney says his musical influences run from Queen to Andre 3000 – and I swear there’s a homage to Max Headroom about two-thirds of the way through Deja Vu. Here’s Sean Cooney’s Deja Vu.. crank it up and enjoy the groove. Follow Sean Cooney online. - Big Medicine


"The Last Thing I Heard Before The Zombie Apocalypse"

Sean Cooney is freaking incredible! This dude is Will.I.Am meets Adam Levine, making
him the quintessential poster child of popular music today. Cooney's latest project, The
Last Thing I Heard Before The Zombie Apocalypse, is chock full of pop music hits that
could easily fit into any Top 40 radio stations rotation.

From the first note on Sean Cooney's song, "Brooklyn", you immediately know you're not
dealing with an amateur artist. This is an amazing song about the Washington DC
native's love for the city of Brooklyn, New York, and is a great depiction of how he views
his "stomping grounds". The music production reminds me of a Gym Class Heroes track
and is a perfect compliment to Sean's vocal talent.

Other great songs by Sean Cooney on this album include: Deja Vu, New Friend, Guilty
Conscience, and Susi Q. Each of these songs showcases Sean's wide array of styles
and approach to creating his brand of pop music, making him multi-dimensional.

Overall, The Last Thing I Heard..., is a great project that will be enjoyed by those who
love and appreciate great pop music. Because I'm a huge fan of every genre of music, it
was not hard for me to recognize the fact that this Sean Cooney guy has the goods and
could possibly be the next big thing in the pop genre. Go check him out today!

MUSICAL GOAL: "I want as many people as possible to listen to and connect with my
music. I also want enough success to be able to collaborate with anybody in the world." -
Sean Cooney

Review by: Senseitional - I Am Entertainment Magazine


"SEAN COONEY PREPS RELEASE OF NEW SINGLE “DEJA VU”"

Cooney, a DC native now living in NYC, attended AMDA to study for Broadway shows and has also played in many professional Jazz bands. His trained voice seems even more at home belting out pop songs as he employs it’s crystal clear, cut through quality in wonderfully innovative ways. Sometimes notching it down a few octaves to fulfill the role of hype master Lil John, other times crooning like a pop hungry Jason Mraz.
“Deja Vu” MP3: SKOPE IT HERE!

Not since the likes of Prince has an artist burst out of the gates with such a fully realized, fresh signature sound. Sean Cooney spent years self producing these 16 songs, locked up in his studio, compressing each kick and snare to sizzling perfection and embellishing every track with crisp synths and whimsical flourishes. It is hard to believe that all the instruments were played by the man himself.
www.seancooney.com - Skope Magazine


"Junior's Cave Music Interview with Sean Cooney"

Have you ever had an OMG! Moment? That is what Junior’s Cave Golden Isles Online Magazine had when we first listened to the music of Sean Cooney. We were instantly hooked with Cooney’s music. We loved his catchy hooks, crafty lyrics, amazing vocals, and fun power pop tunes.

Our publication recently spent some time with the indie singer/songwriter via online who allowed us to enter into his musical world. We discovered many great things about the artist that we wanted to share this with our readers. Here is what formulated from our online meeting.

Isaac: It’s an amazing time to be a DIY artist/performer/band/musician. What do you enjoy the most about being an indie performer?

Sean: I love being able to listen to such incredible music from around the world. With recording equipment cheap enough for consumers, there is so much incredible music coming from all angles. Whether its people you've never heard of, or popular artists who've been around for a while, the standards are getting real high. I think production is the best it's ever been, and artists have a wide scope of influence and inspiration to draw from.

Isaac: Would you be up to signing to a Major or Indie Record Label? Why or why not?

Sean: Well, a couple labels have approached me, but I'm waiting for the right one. You have to be careful, because a major might be able to expose you a whole new playing filed, but they could also shelve you, where as an independent label might put a lot of time and effort into you, or they might not have access to the resources you would like. I think great resources are out there and many people act as their own label. I'm gonna push this on my own as much as possible, and that way when I'm ready to talk to a label, I have a lot of bargaining power because the machine already is up and running.

Isaac: What do you feel is the one aspect of making music that excites you the most right now? What do you feel is the one aspect of making music that gets you the most discouraged?

Sean: Well, what excites me and gets me discouraged at the same time is how good music is these days! On one hand, I'm so excited and feel so privileged in being able to listen to such great music and experience creative multimedia performances, and at the other hand I'm intimidated! I think from a business stand-point it's hard to compete and standout when so many talented and creative artists are emerging.

Isaac: Do you feel that Indie music gets the respect it deserves? Why or why not?

Sean: Of course, there is some music that gets pushed to millions while loads of great music goes unheard, BUT... more and more the platform is growing for Independent music. Now more than ever musicians are able to expose their talent to people across the world. Also, I think all this availability to music around the globe is doing wonders for peoples' musical skope.




General audiences are being exposed to a diverse array of styles and genres and many genres are merging. Also, a song done in one take on the built in speaker on a laptop might get millions of plays on YouTube. This growing acceptance of varying sound quality helps level the playing field for artists in their bedroom and basement and artists in million dollar studios.

Isaac: In your opinion, what are your thoughts on how the most unusual place you've ever played a show or made a recording impact the qualities of the show/recording?

Sean: Well, making this last album, I did it on my laptop which followed me all over the world. I was in Australia, living in a shed with a Koala living (and making noises) in the tree outside my window when I made several of the songs on the record. I think with all that sunshine, I had so much serotonin pumping through my body I made some really happy, upbeat tracks!

Isaac: I am interested in knowing if in what ways does the place where you live (or places where you have lived), affect the music you create, or your taste in music?

Sean: I'm lucky enough to have lived in some really great areas. Growing up outside Washington DC, I had a heavy influence of punk and jazz music. Moving to New York, I was influenced by musical theatre, because I spent every last penny I had seeing Broadway shows! Also, crazy artist types from Brooklyn introduced me to Burning Man which made me interested in dance music.

I think the people you are around, and friends can bring different music to your attention that you might get inspired by. And once you've had a taste you can explore these genres further online. Oh yeah, Australia also has a killer radio station, Triple J. This station has no commercial influence so they can play what they want. I hear lots of friends on the radio in Aus, and am exposed to some really great stuff whenever I go back.

Isaac: What can you tell our publication about the last time you wrote a song? What can you tell us about the whole process?

Sean: The last time I wrote a song was about 2 hours ago! Sometimes songs just come to me in a dream or when I'm driving or in the shower- I think it's when my right brain takes over. Of course, those are usually the times in which I'm NOT around a pad of paper to write it all down. I'm about to travel to Boston to work with killer producer, Take Igarashi.

I want to have some cool songs up my sleeve for that so I decided to punish a whole bunch of dark chocolate espresso beans to get a little crazy and let that right brain kick in. So pretty much I was just hammering away on the piano like a crazy ten year-old kid who just ate his birthday cake and forgot to take his ADHD meds.

Every once in a while something half decent pops out of nowhere, and I write it down. Also, when the sugar high crashes i start thinking about some deep sh**. So that brought out some potential lyrics. Who knows what'll come of it...

Isaac: If you knew that you would never gain fame and fortune with what you are doing now, would you continue to make music? Explain.

Sean: Yes, but not as much. Haha- I love creating music. Right now, I'm trying to make a successful business out of it. Someday I'm gonna make some babies. Maybe a whole bunch, but I'll need to provide for those little suckas. I think the way to be most successful in the balance of finance and happiness is to do what you love. I don't want to be a weekend warrior with music; I want to be creative always, so I am seeking some fame and fortune.

Isaac: Do you have a strong support system with your family and friends? How have your family and friends help you emotionally, financially, spiritually, etc. with your music?


Sean Cooney

Sean: My friends and family are incredible. I am lucky enough to have a family spanning 4 generations and every continent except Antarctica, so they've given a good variety of feedback. Some of my families give me that blind support that makes you feel amazing, like being wrapped up in a warm blanket. THEN I've got the realists who bring me back down to earth!

These are my peeps who have really helped form my sound over the past few years. I think for any musician really trying to make it, an honest opinion in a sea of hollow compliments can be the most beneficial gift of all.

Isaac: As you continue your own path for making music, do you find yourself getting more or less interested in seeking out and listening to new music made by other people...and why do you think that is?

Sean: I get more and more interested in new music almost daily. Before YouTube, I was more involved in one or two music scenes and that was 90 percent of what I was exposed to. In school, the music you listen to or associate with can be a major identifier of who you are and who you might hang out with.

Nowadays, I'm in NYC and no-one gives a f*** what I listen to. So I end up just bouncing around online and finding cool stuff. Oh yeah, and commercials on Hulu!- I tend to love those songs.

Isaac: Me too Sean!

Isaac: As far as your influences, what would you say are the musical periods or styles do you find yourself most drawn to as a listener?

Sean: The 70's and 80's! David Bowie and Queen are pretty much my musical DNA. Also, all the Jazz Standards of the 20's and 30's. And then of course, there is contemporary pop. Right now the pop world is infused with dance styles from all over the world, and so many genres have blended. I never went to school for music or production but honestly the best schooling, just listen!

Listen to Black Eyed Peas' biggest songs. Listen to what Dr. Luke, Red One, J.R. are doing. Listen closely with headphones, over club speakers, in the car, while drunk, while totally focused and you can learn what makes those songs so good.

Isaac: What is the best site/s that you can be found on the Internet?

Sean:

www.SeanCooney.com
www.facebook.com/SeanCooneyMusic
www.youtube.com/SeanCooneyMusic
www.twitter.com/SeanCooneyMusic
www.myspace.com/SeanCooney
or if you wanna join the email list, go to:
www.seancooney.com/page5.html


Isaac: The floor is yours; final words…..

Sean: Thank you so much for your time! Honestly, I think this is a great time for musicians and artists. People are able to connect, collaborate and share so much more than ever before. I love it when people get at me online- so now y’all know where to find me!

Oh yeah, I got some sweet music videos coming out this January and the next couple moths so check back for those!

PEACE!!!!! - Junior's Cave


"Get Down With Sean Cooney Before the Zombie Apocalypse"

Imagine if you will...

The love child of Rufus Wainwright and Katy Perry ran away from home, met up with T-Pain in Miami, moved to Brooklyn and laid down the most ridiculous party album known to man, “The Last Thing I Heard Before the Zombie Apocalypse”.

Sean Cooney is a very musically talented dude with a keen indie-pop sensibility that he lays on thick in almost every song. This definitely pays off. In the entertaining and campy "Party like a Kennedy" the lyrics are sung with mocking grace while in the silly “Susi Q”, written about an artist he is collaborating with on a claymation video, the seriousness is again skirted through the delivery. This lighthearted aspect is refreshing and adds to the entertaining quality of the entire LP. The production on the album is excellent and we love that self-producing Cooney has the nerve to introduce himself on most of the tracks.

The strongest cuts off the album are the celebratory "Cali" and the groovy, down-tempo "Brooklyn". The entire album is worthy of any late night, booty shaking, after hours soiree. All the songs are hooky and captivating, but we can’t help but crave more stripped down moments from Cooney. They only crop up once in a while like in the beginning of "What I Like", where his vocal quality shines like a pop hungry Jason Mraz. Without all the glitz, 808's and fancy flourishes, we would be left with funky tracks that showcase Cooney’s great voice and pleasing melodies.


All in all, this album is a wonderful introduction to a gifted artist that doesn’t take himself too seriously. Or perhaps he is brilliantly commentating on the current state of pop culture in his own unique style. Either way, the album is a very fun listen. At times, we found ourselves laughing out loud. Most definitely check it out and rock out to it on your next road trip or at your next raging party. - Working Brilliantly


Discography

"The last thing I heard before the zombie apocalypse" 2011
"No Morning In Mind" 2009
"Dandelion in Distress" 2006

Photos

Bio

(Hear more music at www.seancooney.com)

Imagine if you will…

The lovechild of David Bowie and Katy Perry ran away from home, met up with T-Pain in Miami, moved to Brooklyn to lay down one of the most ridiculous party albums known to man, “The Last Thing I Heard before the Zombie Apocalypse”.

Cooney, a DC native now living in NYC, attended AMDA to study for Broadway shows and has also played in many professional Jazz bands. His trained voice seems even more at home belting out pop songs as he employs it’s crystal clear, cut through quality in wonderfully innovative ways. Sometimes notching it down a few octaves to fulfill the role of hype master Lil John, other times crooning like a pop hungry Jason Mraz.

Not since the likes of Prince has an artist burst out of the gates with such a fully realized, fresh signature sound. Sean Cooney spent years self producing these 16 songs, locked up in his studio, compressing each kick and snare to sizzling perfection and embellishing every track with crisp synths and whimsical flourishes. It is hard to believe that all the instruments were played by the man himself.

Cooney’s greatest strength is his wild musical ear. Sure, his influences span the gamete of popular music from Queen to Andre 3000, but this young dude is more like a modern day Phil Spector; unafraid to try new things and unabashedly confident in his own unique musical vision. There is a wonderful balance of earnest sugary peppiness and fiery satire on the current state of pop culture. In the entertaining and campy “Party like a Kennedy” the lyrics are sung with mocking grace, while in the lead off single “Brooklyn” the seriousness is again skirted through the grandiose delivery. The crazy thing is that Brooklyn hipsters, Justin Beiber and LMFAO fans will be bumping this CD for completely different reasons with the same level of enthusiasm.

Cooney allows his audience to build their own bridges across indie rock, hip hop and dance by dishing out undeniably good servings of each on top of deliciously well crafted songs. He has created one of the best pop albums of the year and an exceptional debut from a very gifted artist. Watch out world, a Pop Star grows in Bushwick.

- W B