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"SoundScape’s 10 Most Talked About Sessions of 2012"

This week we’ve been dropping a couple year-end lists. Rather than just list our favorites of 2012, we’ve been reaching out to others involved in the Chicago music scene, and asking them to contribute their 2012 best-ofs. On Monday, we saw Austin Vesely give us his favorite videos and today we move along those same lines with this top 10 provided by Michael Kolar of SoundScape Studios. In this list, Mike breaks down his 10 most talked about sessions of 2012. This are not his favorite songs, but the ones he is asked about the most. With artists ranging from Action Bronson to Lil’ Mouse, it is pretty eclectic. Peep his words and his list below.

Words by Michael Kolar/@SoundScapeChi

I have been recording music in Chicago for well over 15 years. During this time, I have had the opportunity to work will all different types of artists. It has truly been a blessing that everyday I come to my temple of sound and offer up devotions to the music Gods. Being in Chicago, most of the music I record is pretty damn good, some scares the shit out of me and others just leave me baffled. The other blessing of recording music for a living is that people love to talk, analyze, and sometimes hate. Anytime I run into people outside the studio, they always ask me about some record or video that came out of SoundScape. Some people get pissed at what I put out, while others love it. I am a firm believer in the 1st Amendment. No matter what type of music you make, if you are serious about your craft, you are my favorite type of client (regardless of skill). So here is list of the 10 most talked about sessions/records of 2012. While artistically these may my not be my favorite ( but who cares what a bald, 33 year old white dude likes), these are the sessions that light up my twitter & get discussed over a beer outside the studio. - RubyHornet.com


"I Had To Say Something"

“It feel like N.Y., summer time Chi,” Kanye West famously rapped in “The Good Life”. And he did so for good reason. Perhaps nothing beats summer in the windy city, a time when Chicagoans put away their winter coats and spend their days on beaches, at baseball games, and festivals such as Taste of Chicago, Pitchfork, Lollapalooza, and the countless neighborhood celebrations that happen on a weekly basis. There’s a magic to Chicago in the summer months, the air tastes better and buildings on Lakeshore Drive shine a little bit brighter reflecting off Lake Michigan. But there is an ugly side to summertime Chi, one that doesn’t appear in hit records. Nope, you’ll find this side of summer in Chicago on the news and in headlines like, “Rate of Killings Rises 38 Percent in Chicago in 2012? or “In Chicago, Summer Is ‘Murder Season’”. Violence and murders happen at such an alarming rate in Chicago, that residents almost seem to accept this as normal everyday life. It’s sickening how such a beautiful city, arguably America’s best, can be so violent and hateful.

“We live through so much that when a person dies it’s like, I’m not trying to sound disrespectful, but it goes in one ear and out the other,” says Seven1 an emerging Hip Hop artist from Chicago’s Pocket Town. “It’s wrong, but this is the environment we grow up in.”

I met Seven1 at SoundScape Studios on a hot Friday in the middle of June. Before the meeting, I knew very little about him beyond his song, “The Death of Drillin’”. The record is a harsh critique on the city’s violence and an interesting take on music’s role in perpetuating it. Specifically, Seven1 targeted what is known as the “drill music”, which is going national thanks to the rise of artists such as King Louie, Chief Keef and others. Seven says that the record is not a diss towards any Chicago artist in particular, but his way of addressing Chicago’s youth and drawing a clear distinction between the music and videos they see, and the real life violence that happens in Chicago’s streets.

“You press play on the song and you’ll understand it wasn’t a diss towards Chief Keef, it wasn’t a diss towards King Louie. It wasn’t a diss towards any Chicago rapper,” Seven explains. “This slang that people want to use, ‘Drilling,’ that derived from a certain section of Chicago called Dro City. They used the word in a variety of ways. But the word has spread so much it’s to the point where in my neighborhood the kids want to identify themselves as ‘drillers’ aka ‘killers.’ And they want to say they’re ‘drilling’ aka ‘killing.’ I’m speaking to the shorties. I couldn’t make a song and be PC about it like a “heal the world” type of song because that shit would go in one ear and out the other.”

Seven1 definitely grabbed my attention with “Death of Drilling”, so I set out to SoundScape to find out more about Seven1, his background, as well as his music. In this interview we talk about growing up in Chicago, why he felt the need to speak up, and what’s in store. - RubyHornet.com


Discography

Forever Dies Today - EP
- Real Lit
- Alive
- Finuck
- My Harlot Song
- Black Boy Lost
- The House
6PM In Altgeld Gardens (Cook)
Never Heard Of Him
By MySelf
Ivan Drago
Death Of Drillin
Pimp Sh*t
Keshia 2.0
Say Much
Snap

Photos

Bio

SeVen1's music is heavily influenced by urban social culture. He represents the balance that is desperately needed in todays urban music. The content he provides his fans with is engaging and more importantly authentic. His high pitched tone, flows over infectious beats and provide listeners with a great experience. SeVen's songwriting ability is one of the key things that sets him on a different level then his peers. He continuously paints pictures through vivid stories and clever deliveries. Drawn mostly from personal experience, he captures the reality of street life coupled with the everyday struggles of a father. SeVen1's influences lie in rhyme slayers like Scarface, Outkast, UGK and Young Jeezy, Wu Tang, Do or Die, Psycho Drama, Crucial Conflict.