Julian Shah-Tayler

Julian Shah-Tayler decided to move to Los Angeles after playing the Avalon with his electronica band Whitey while supporting Peaches on tour. Though playing electronica may have been fun, the versatile British musician and producer, who already has an extensive list of credits to his name, wanted his next project to resonate more emotionally.

Shah-Tayler, who cites John Lennon as his biggest influence, proceeded to record his first solo record, which will be released under the name Shah in March 2009.

The guitarist/vocalist/bassist/keyboardist says he strived for variety with songs such as the sexy dance number, "Wetter," and the ballad "Beautiful World," to avoid being tied to one genre. Shah will release the tracks currently on his website, on iTunes via his label, Impossible Things Records - LA2Day

Julian Shah-Tayler, Un Ange Passe EP.

Not one ounce of an inflated ego detected with this Los Angeles based musician. Currently one half of Adamandevil, Julian Shah-Tayler`s expanding portfolio reads like a hipster`s who`s-who with collaborations and liaisons that many mainstream artists could only dream of, in fact from reading Julian`s bio/credits, multi-instrumentalist, producer and DJ fit nicely within his sublime rock/electronic persona. The forthcoming EP `Un Ange Passe` is currently on pre-release and leads with the hybrid electro/rock track `Wetter` while the elegant, slightly darker parts of the EP create a marvelled Bowie/John Foxx anecdote in a backdrop of current multi-Gigabyte technology. Another stand out track is `Christine`, a personal lament for a lost friend, not at all bitter or despairing but a perfect celebration of life`s many characters. An infectious solo release, metaphorically exciting and a few steps away from acclaimed success.

"He has produced and/or played guitar, bass and keyboards and sung in bands with Siobhan Fahey (ex Shakespear’s Sister/Bananarama), Courtney Love, Joaquin Phoenix, Whitey, drinkme, Adamandevil, Bunny, Piel, Xerox, PFC and many more".

[listen] Julian Shah-Taylor : Wetter

[listen] Julian Shah-Taylor : Communication

[listen] Julian Shah-Taylor : Wetter (Karl Leiker Remix)

Learn More And Buy / Buy

Posted by MOJOPHENIA - Mind Over Music at 8:54 PM 0 comments Links to this post

Labels: AdamandEvil, California, dj, impossible things records, karl leiker, Los Angeles, mp3, producer, remix, whitey - Mojophenia blog

Album Review: @Julianshah- Un Ange Passe

cover
Julian Shah-Tayler is a solo artist who writes, produces and performs all his own music. He has produced and/or played guitar, bass and keyboards and sung in bands with Siobhan Fahey, Courtney Love, Joaquin Phoenix, Whitey, drinkme, Adamandevil, Bunny, Piel, Xerox, PFC and many more.

He is set to release his debut Solo EP, “Un Ange Passe” on Impossible Things Records. The debut EP has a very special meaning to Julian as it is a dedication to his friend/muse Christine Shroy-Hull who passed in September of this year.

Almost All of the tracks on his EP are in some ways dedications to Christine for the inspiration she gave him. He does this by crafting some indie-rock/electronic tracks that can go from upbeat dance party to moments of reflection on the things life throws at you. Playing all the instruments on this EP, you can tell this guy has massive talent as a musician. Be it the crazy guitar solos on “Wetter”, or the dark/ mysterious instruments played on “Communication”, he crafts songs that really invoke emotions within the listener. This guy has something going for him, and when his EP drops, I think people will start to notice.

The album will be available on January 1 st 2010 through all digital retailers. Also worth mentioning is that anyone that buys the special edition EP CD from the Impossible Things Records website will also get a bespoke recording for them by Julian. It may be a specially recorded song, a live favorite, a version of a song from the EP or something else altogether, but guaranteed to be available to no-one else in the world.

enjoY! - Boom Boom Chik blog

Julian Shah-Tayler - Un Ange Passe - Mark Fisher's Music Review

Julian Shah-Tayler
Un Ange Passe
Pick For The Day

Genre

Alternative / Rock / Pop
Location

Los Angeles, California
United States

This Selection
Has Six inventive tracks
"Christine" seems to stick in the Head.

"Everything Is You"
Is more like a Early 70's track
Blended with Today's Madness
Vocals Are Excellent.

"Communication"
Is filled with many sounds
in the intro that intrigue the listener...
Wonderful vocals fill the track.

"Wetter" is a wild track filled
An Electro Beat and Great Mixing!
I Suggest listening to these tracks.

Final Comment

The Production is Superior
on this release of tracks.
Cheers On You!

© Mark Fisher 2009

To Contact Mark Fisher

E-Mail to; firststampmultimedia@yahoo.com

Website; http://web.me.com/markfishernyc1 - Mark Fisher Blog

Julian Shah-Tayler is a solo artist who writes, produces and performs his own music. His EP - "Un Ange Passe" (dedicated to the memory of Christine Shroy-Hull) is released on 1st January, 2010. His debut album, “Coito Ergo Sum” is due for release spring 2010 on Impossible Thing Records.

Julian has played guitar in 'Whitey' co writing the smash hit “Wrap It Up” which has been featured in Whip It, GTA 4, Sopranos, Kyle XY and CSI Miami. He has also played keys & sang with Siobhan Fahey (Shakespear’s Sister), and played keyboards & sang on Joaquin Phoenix’s solo album among others!

Having listened to a number of his his songs, I reckon he could well break through in 2010, which would be deserved as his song writing and performance is quite stunning. The melodies and variety of styles he uses along with first class production have really gained my attention.

Beehive Candy Blog - Beehivecandy

Julian Shah-Tayler honors a muse with EP
By Michelle J. Mills Staff Writer
Posted: 12/31/2009 04:03:23 PM PST

Los Angeles musician Julian Shah-Tayler recently took a break from working on his next album to create a tribute to his friend, Christine Shroy-Hull.
"We used to talk about things and I used to write songs that she would encourage," said Shah-Tayler, who often performs locally at the Old Town Pub in Pasadena. "I would play her the songs and she would give feedback."
When Shroy-Hull, who lived in Pennsylvania, died of a heroin overdose in September, her family wrote to Shah-Tayler asking him to release a song he had written for her. He finessed the composition and then decided to release the six-track EP, "Un Ange Passe" (Impossible Things Records), in her honor today. The effort features other tunes Shroy-Hull inspired or enjoyed, as well as a photo of her on its cover.
Shah-Tayler has produced for and performed with artists such as Siobhan Fahley (Bananarama), Courtney Love, Joaquin Phoenix, Whitey, drinkme, Bunny, Piel and more. His music has been heard on "The Sopranos" and on the Discovery Channel. He also played on the soundtracks of "Penelope," featuring Christina Ricci, and "The Golden Age," with Cate Blanchett.
Shah-Tayler has a wide-reaching repertoire, which includes singer/songwriter selections to danceable songs invoking a London new-wave feel.
"My music is influenced by all different areas of music today," Shah-Tayler said. "I'm classically trained, so that's constantly in the back of my head, but I also

[Wetter]

have an avant garde approach to what I want to do with melody and what I want to do with chords. I really want to make something that's not comfortable to begin with."
Shah-Tayler grew up in England. His mother originally wanted to be an opera singer, but set her dream aside to care for him. His grandmother was a music teacher, who taught Shah-Tayler piano and encouraged him to learn the trumpet. He also sang in school choir and was singing professionally by age 7.
He continued his music studies in school, learning violin, viola, piano and church organ, while teaching himself guitar, flute and other instruments. But at the university, Shah-Tayler majored in philosophy.
"I found the study of music, particularly classical music, a little bit wrong for the magic," Shah-Tayler said. "When you're writing your own stuff, it's best not to have a series of rules nagging at the back of your head: I can't transition to that chord or I can't put that there. There are a lot of rules in classical music that you just have to abandon to be a writer in rock music today."
He is a prolific writer, penning 70-80 songs per year, all inspired by the people around him.
"I write so much that there's not really a process," he said. "I've had a complete song come to me in my dreams and I've also sat down and thought of a bass line and then built something meticulously from the bass line or I've just heard a beat that I really want to merge something on to."
Shah-Tayler is collaborating with electronica artist Jason Air and is a member of the local band Adamandevil. He also deejays at clubs across the nation, including the Key Club in Los Angeles, and runs the acoustic club, Standard Tunings, at the Standard Hotel in Los Angeles with Scott Fairbrother. His next full-length effort, "Coito Ergo Sum," is scheduled for release in spring.
"All I want is people to enjoy the music," he said. "I don't expect to become a millionaire."
People can order a physical copy of "Un Ange Passe" directly from his Web site. For more information, visit www.myspace.com/juliandrinkme.
michelle.mills@sgvn.com - SGV press

V Ridaura | Dec 25 2009, 8:12 PM

photo.php.jpg

Julian Shah-Tayler is an LA native that has paid his dues in the underground circle. He has played in such distinct bands as WHITEY (co-writing the smash hit “Wrap It Up” - featured in “Whip It”, GTA4, and Sopranos) and his current band ADAMANDEVIL perfecting his brand of Dance-Rock tunes, and pensive ballads.

Recently, I had the chance to see Julian’s show first hand and was astounded to see the amount of energy he brought to the stage. The audience ate the whole thing up, particularly The Klaxon sounding, Louis XIV swaggering song called WETTER.

His debut solo EP “Un Ange Passe” will be released January 1st on iTunes via Impossible Records, and contains the very catchy, very danceable song, BUT being as awesome as I am, you can get it NOW for free (or pay however you want) via this link:

http://itunes.apple.com/us/album/un-ange-passe/id347761580

But heed my warning, all you music mavens out there, these songs are available for free only until January 1st... SO GET 'EM NOW!

Enjoy! - Geekweek

December 7th 2009

Your Music: Julian Shah-Tayler

JulianShahTayler

http://www.impossiblethingsrecords.com/shah/

Julian Shah-Tayler, self-producing artist, speaks with Breakthrough Band about his music and offers an inside look at the path he is trekking.

Breakthrough Band: How would you describe your music?

Julian Shah-Taylor: I would describe it as varied and informed by all sorts of different influences. I love all sorts of music from Classical to Avant Garde electronica and everything in between, so I like to reference as much as I can to make something beautiful that is unclassifiable. I would like it to be sensual and thoughtful.

BB: How do you produce your music?

JST: I record everything in my bedroom on a laptop and use one SM58 to mic everything from vocals to dulcimer/toy piano. I mix in Protools and play everything live, except for Arp Synths, which kind of play themselves!

BB: As a new artist, what was the biggest challenge that you have had to overcome?

JST: Distancing myself from what is expected of me from my previous bands. Also, getting trapped into a particular bracket. It is also impossible to find dedicated musicians who can put the time in that I would like.

BB: What is your favorite social networking or media web site and why?

JST: Facebook, because it is a lot more personal than the others.

BB: What advice do you have for others who are looking to start a band or market their music?

JST: Define your audience, target them, and mean it. Never do it for the wrong reasons…it is obvious and that comes through in the music.

Check out Julian’s Music Here:

www.impossiblethingsrecords.com/shah

www.myspace.com/juliandrinkme

www.facebook.com/jshahtayler

www.twitter.com/julianshah

http://itunes.apple.com/us/album/un-ange-passe/id347761580
- breakthroughband

Recordapedia: When did you first start singing and writing music?
Julian Shah-Tayler: I was singing when I was 5 in a choir in Harrogate, England and started writing my first song (a sacred christian Magnificat) when I was 8 intentioned for the choir to perform. First rock song I wrote was when I was 14, It was called "Rayn"


Recordapedia: What musicians/bands have influences your sound?
Julian Shah-Tayler: Prince, David Bowie, Radiohead, The Cure, The Beatles, The Rolling Stones and so many others like Cocteau Twins to My Bloody Valentine and Debussy


Recordapedia: Any recent funny stories in the studio or getting ready for a show?
Julian Shah-Tayler: Too many to go into here. Naked hotel corridor shenanigans, biting famous guitar players on the face, I guess you will have to wait for the autobiography... ;)


Recordapedia: What problems arose when recording your first demo? Could you give any advise to up and coming artists?
Julian Shah-Tayler: I did not really know what I was doing, how the song was going to turn out, had no concept of multitracking, I thought that writing a song intuitively would just throw up something special, did not take the time to finish off half baked ideas.
What came out of it was a respectable curio, but nothing remarkable

Recordapedia: Are there any tricks or tips that you learned in the studio recently that would be useful for artists or engineers?
Julian Shah-Tayler: Experiment with the limitations of what you have and make them part of the sound. A useful idea is to be sure that imagination is foremost in your mind. Do not try to imitate other people's ideas in the recording process, but invent your own paradigm. Accumulated experience of good music/experience will give you good ears, not years of study in engineering school, although that can be good for recording technique. A healthy dose of ability coupled with imgination will steer you well

Recordapedia: Are there any products out right now that you cannot live without? If so, what is it and how has it helped you?
Julian Shah-Tayler: Protools is its own world. It is an enabler for great music and imaginative ideas

Recordapedia: Are there any products out right now that you are not a fan of? If so, why should you stay away from it?
Julian Shah-Tayler: I have very little equipment, so my experience is pretty limited, and I would not downplay ANY music making medium, as if you CAN you WILL irrespective of tools...

Recordapedia: Any industry news that you want to comment on? If so, what is it and why do you think it is important to mention it?
Julian Shah-Tayler: Music sells less and less in the conventional sense, so don't look for a label anymore, take it into your own hands, get good, and get BUSINESS about music. If that means employing a manager to work with you, then do it. If no one wants to manage you, you just haven't earned it yet, baby!

Recordapedia: Where and When are your upcoming shows?
Julian Shah-Tayler: I am playing the Key Club on the 18th April, Bardot on the 2nd May and Moscow (Boardner's) on the 20th May
Do you have a new album coming out soon? When can we expect it?Any new
influences on the album?

The album is out on the 22nd June. "Coito Ergo Sum" is its name. LA was a big influence on the way it has turned out.....

Recordapedia: Are you listening to any new bands?
Julian Shah-Tayler: Beatnik Jr, Mahi Gato and Adamandevil (of course!)

Find out more:

http://www.myspace.com/juliandrinkme
http://www.impossiblethingsrecords.com/shah - recordapedia

Julian Shah-Tayler uses talent to remember a friend
By Naughty Mickie notymickie@earthlink.net

On New Year's Day 2010, local musician Julian Shah-Tayler released the EP, "Un Ange Passe." The effort is dedicated to his friend, Christine Shroy-Hill, who died in September and features her photo on the cover. Although he is unsigned, his performance is impressive, as is his resume. Shah-Tayler has worked with Siobhan Fahley (Bananarama), Courtney Love, Joaquin Phoenix, Whitey, drinkme, Bunny, Piel and more and has had music in the soundtracks of "The Sopranos" and on Discovery Channel, as well as played on the soundtrack of "Penelope" featuring Christina Ricci and "The Golden Age" with Cate Blanchett.

Shah-Tayler is also in the band Adamandevil and deejays at venues, such as the Key Club in Los Angeles and Happy Endings in New York. He runs the acoustic club, Standard Tunings, at the Standard Hotel in Los Angeles with Scott Fairbrother. In between all this, he is working on a new album, "Coito Ergo Sum," to be released in spring on Impossible Things Records. The title is a reference to the French philosopher Descartes and the effort was mixed by Ulrich Wild (Deftones).

Originally from England, Shah-Tayler now lives in L.A.

"My mother was very keen on me singing in school and I always really liked to sing then," Shah-Tayler starts. "I went to Stone Cathedral Choir School. My grandmother also helped me to learn the piano and trumpet when I was five years old. She encouraged me with trumpet and she sent me to piano lessons, she was a music teacher.

"My mother before she had me, she was very keen on becoming an opera singer. She still sings now, in fact my grandmother still sings and plays the piano. My mother was bound for the opera, but obviously when she had me it was a little bit more like she just wanted to find a job. I was a choirboy in Durham and when I was seven I was singing professionally."

Shah-Tayler continued his music studies in school, learning violin, viola, piano and church organ. He also taught himself guitar, flute and other instruments and studied philosophy at the university.

"I found the study of musical, particularly classical music, a little bit wrong for the magic." Shah-Tayler explains, "When you're writing your own stuff, it's best not to have a series of rules nagging at the back of your head-- I can't transition to that chord or I can't put that there. There are a lot of rules in classical music that you just have to abandon to be a writer in rock music today."

Most of Shah-Tayler's time is spent with music, whether writing, producing, performing or listening. He enjoys watching movies and used to like acting, but because it was hard to keep two careers, he set his sights on music.

His sound is reminiscent of London new wave at its danceable best to sweet, soulful ballads from the heart. All of it is well-composed and thoughtful.

"My music is influenced by all different areas of music today," Shah-Tayler says. "I'm classically trained so that's constantly in the back of my head, but I also have an avant-garde approach to what I want to do with melody and what I want to do with chords. I really want to make something that's not comfortable to begin with. My favorite artists are people like the Beatles and David Bowie and Prince, who all have a very inspective attitude towards writing, which means they don't just fall into this comfortable comfort zone.

"I write so much that there's not really a process. I've had a complete song come to me in my dreams and I've also sat down and thought of a bass line and then built something meticulously from the bass line or I've just heard a beat that I really want to merge something on to." Shah-Tayler goes on, "I do a lot of my lyric writing while I'm walking. I like that some of the lyrics I write are poetry and some of them are just straight. I have written poems that I've set to music. I've set a series of James Joyce poems to music. At the moment I'm in the process of writing for other people."

Shah-Taylor has been writing for electronica artist Jason Air, who is producing the rapper Ivory.

"If there's someone inspiring in my life it tends to inspire a song to varying degrees. I write probably 70-80 songs a year at least and generally around four or five a week. It's all inspired by the people around me," says Shah-Tayler.

This leads me to discuss "Un Ange Passe."

"A couple of the songs I wrote for a young lady friend of mine." Shah-Tayler shares, "We were never together, just good friends. She was a person outside of L.A., she lived in Texas and then moved to Harrisburgh in Pennsylvania. She was probably the only person I knew in America who wasn't involved in music or art or lived in L.A. We used to talk about things and I used to write songs that she would encourage. I would play her the songs and she would give feedback.

Unfortunately she died a few months ago of a heroin overdose.

"Her fam - dabelly.com

This Leonard Cohen cover was a pleasant surprise and not particularly distant from Julian`s current crop of material. A breathtaking talent that continues to draw influence from all the right places. Look out for the new release on the artist`s Bandcamp, review up soon. - mojophenia

2010-03-01
Julian Shah-Tayler - "Wetter"

julian shah-tayler - "wetter" (download)
Julian Shah-Tayler has some experience under his belt. Not only was he a member of Bomarr Blog favorites Whitey, but he recorded an album with Joaquin Phoenix. He's also gotten some praise from David J of Bauhaus. "Wetter" is from his Un Ange Passe EP that he recently released and dedicated to the memory of his friend Christine Shroy-Hull. This is a straight up, extremely catchy pop song that is sure to get Julian even more praise. You can stream or buy his music over at his Bandcamp page.
myspace

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Posted by bomarr at 11:04 AM
Labels: julian shah-tayler, un ange passe, wetter - Bomarrblog

You can download your copy of Blah Blah Blahnik for FREE right here (or offer a donation) in advance of its 1st May release date on iTunes. Below I've included a track-by-track guide.

Show Me Your Soul - A great hooky electro/rock number that sounds really fresh and now. The vocals sound wicked against the grooving drums and great sounding guitars, this song sounds like a hit. There's a cool synth journey in the second verse and the backing vocals in the chorus add a real depth to the track.

Force of Habit - The guitar work on this EP really shines through; the overall sound of the music has a far grittier edge than what I've heard from Julian before. This song is packed with great guitar-riff work; his voice is deep and sensual which reminds me of Ville Valo (HIM) against a cool upbeat background.

Butterfly - This is a real pub-rock anthem; chugging electric guitars, poppy drums and a real singalong chorus. The Lo-Fi feel after the first chorus is cool and I like the synth/guitar notes pushing against the straight grooves throughout the second verse. The guitar break after the second chorus is cool but I'd love for it to really push for centre stage with a huge solo on top of the mix; it just sits equal to everything else, show it off and take the song home!

Electricity - A virtuoso piano part sets the scene, differing itself from the dance-rock feel that the track's predecessors showcased. A calmer piano-driven ballad was exactly what the doctor ordered for track four and Julian's vocals sound great on this track. A really nice song.

Blood Destiny - We're sticking with the calmer feel again with this track which is nice; I'm in that mood thanks to the previous track. When the track gets going I love the drums with the acoustic guitar and Julian's deep vocals really top it off nicely. It's not a real stand-out track but is great in its own right; the track builds cleverly and the acoustic guitar work is top class.

Say What You Want (Jason Air remix) - A real grooving dance track to cap off the EP in style; it's a perfect ending. The track is a real foot-tapper featuring great samples and some wicked beats. It's eclectic and odd and this is what makes it perfect; it's a real cooking pot of ideas.

Overall it's a great display of Julian's talents and of his variety in music making. The EP is a real musical journey; taking us from grooving pop rock, chilling out with some more mellow tracks and finishing with a real rave of a tune. I urge you to download the EP now! - backwhenwewerebeautiful

Thursday, 8 April 2010
Q&A with Julian Shah-Tayler
I've secured a Q&A session with the previously featured artist Julian Shah-Tayler. Read below as he discusses working with Joaquin Phoenix, where he takes inspiration from to write and what's new for him right now. Enjoy!

Hi Julian, it's great to be able to send some questions your way. Firstly, the one I'm sure all my readers are dying to know about; how did working with Joaquin Phoenix come about? How was it?
So my friend Scott (Adamandevil) and I moved across to Los Angeles from England around the same time, and met up with an old friend, Alan McGee (Creation Records boss) who used to manage "Whitey" (my old band) to discuss him supporting our music with his new label. Alan had previously set us up with an audition for Courtney Love (another story!) and mentioned that he was considering managing a famous actor, whose new material was amazing. That actor turned out to be Joaquin.

Scott and I recorded and played with him for around 2 weeks, in which time we recorded on around 8 songs. (I played piano and percussion and contributed vocals) alongside Antony Langdon, (Spacehog) on main vocals.
The project was rehearsed with Wildcat Will on drums, but never ended up going to a live format, as Joaquin was called to do another movie and the momentum fizzled, Alan went back to live in retirement in Wales.
Joaquin was an experience to work with. His type of crazy comes with an enormous amount of creative flair and much more focus than people give him credit for. His songwriting (I understand in collaboration with Antony) is very tasteful and I love the songs.

Blah Blah Blahnik takes on a variety of musical genres compared with Un Ange Passe which tended to stick to just one. Why did you feel the need to mix it up on your latest offering?
I don't think that is the case at all. The "Un Ange Passe" EP is more diverse by far than BBB.

It varies from complete electronica to very organic and "real" instruments.
Compare "Lullabies" to "Wetter" from the UAP ep, and I think you will see the massive gulf!
I think BBB is much more homogenous comparatively.
I deliberately made the second EP sound "raw" and "rock" to illustrate that I could be more consistent in style than the first one.
I have a completely electronic EP in the pipeline as well as a totally live recorded one as well as the finished album....
Most of the artists I love have always managed to straddle different genres.

What is it about writing music that makes you want to keep doing it, and when did you first decide this was the career path for you?
I love music, and have been singing professionally since I was 5 years old.

I tried to quit, and worked in TV for a while. Much much more money, but I realised that I was not happy with the results psychologically, and I care very little for money per se.
I live for the audience. I love the fact that in the context of one song, you can reach people on both an emotional and physical level at once.
It is scientifically postulated that any concept can be articulated and memorised much more easily when set to music. The feeling when I have finished a song beats anything except the excitement that comes across peoples' faces when you play something you know has connected on a deep level with them.....

Where do you take inspiration from when writing your music and lyrics?
Everything and everywhere. My life. My music is my diary and my secret lovers and my open book and my own soul laid out for everyone to experience and interpret and for me to remember and reappraise on each subsequent listen.

A song that has a genuine resonance with me will always have a much more important life than any other song.
If it means something to me, it means something to people that are listening. One important lesson I had to learn!

'Show Me Your Soul' is a great track. How and where did that begin life?
Thank you! Actually that song has had a very long and troubled birth. My friend, Antony Green is an artist in life and paint.

He recently met Imelda Marcos, the ex premiere of the Phillippines.
She is very famous for two things: shoes and mismanagement of the Phillippines.
Antony is preparing an exhibition of shoe paintings with her permission. He asked me to write the soundtrack to the exhibition and specifically a song that would accompany the event as a multimedia portion of the press campaign.
Subsequently, I read a lot about Imelda; her thoughts and writing. I chose to focus on her intentions as a great figurehead who was misinterpreted by (or misinterpreted) the people she was representing.
She has a very interesting and very thoughtful soul that could be said to be lost in the shuffle in the wake of her deposition from the ruling position. Understand that she was one of the most powerful people in the world for a long time, and an icon of feminine power for so many worldwide.
The song, I wrote in one Los Angeles night in november last - backwhenwewerebeautiful

Wednesday, April 14, 2010
Our Interview With @Julianshah


Julian Shah-Tayler is a solo artist who writes, produces and performs all his own music. He released an EP, Un Ange Passe, back in January and another one, Blah Blah Blahnik, in March. What amazed me about his music was how different the first EP was form the 2nd. I liked his sound so much that I felt I needed to ask him a few questions about his musical experiences.

Read the interview below as well as check out a new track from his latest EP below.

enjoY!

Julien Shah-Tayler – Force of Habit

————————————————————-
How did you first get into music?
I was 5 and my Grandmother decided that I should learn piano/trumpet and join the local church choir (Saint Wilfred’s in Harrogate, England). She had been a music teacher before she got married, and missed teaching little ones.My mother was also a singer, and had withdrawn from the opportunity to join the Welsh National Opera to have me…. so she encouraged me to sing in front of my school from 3 years old. I went on to sing professionally at Durham Cathedral Choir at 7, also joining the orchestra and playing the organ in the evensong services.

What influences do you mainly draw from in your music?

Most of the influences I have are from life rather than music. I appreciate the sentiments that certain sounds evoke, and I try my hardest to convey emotion as much as possible. It is a constant quest to encapsulate a particular circumstance or contain a catharsis of some kind. As far as musical influences, I love Radiohead, David Bowie, Scott Walker, Bjork, Roxy Music, Adam Ant, The Verve, The Beatles, Prince, Aphex Twin, Orbital, recently – Animal Collective, Yeasayer, and I must say the new Whitey album is absolutely brilliant…… Even though there are none of the songs we recorded together on it. He totally surpassed my wildest expectations!

You have just released your latest EP, Blah Blah Blanik, preceded by Un Ange Pass back in January, each album is different musically, how do you come up with the theme for each EP?

The first EP – “Un Ange Passe” was a dedication to my friend, Christine who died of a heroine overdose. She inspired or appreciated the songs on it very much, so I ceded to her family’s request to release a song I wrote in response to her death collected with her favourite songs as my first release, with a picture of her on the cover. She was a wonderful individual and I miss her every day. That is perhaps why the song selection was very diverse in style. The “Blah Blah Blahnik” EP is another “conceptual” piece in that it is dedicated to Imelda Marcos, the ex premiere of the Philippines. I must explain, as I understand David Byrne has stolen my thunder on that one! My friend Antony Green, who is an artist has put together an exhibition of paintings of Imelda’s shoes (with her permission) and he asked me to write a song to accompany the promotion of the exhibit. That song was “Show Me Your Soul” which I wrote after reading a very diverse and illuminating cross section of her quotations and critics. She is a very interesting person. The songs for that one were also designed to be a little more homogeneous than the previous EP, kind of to prove that I could do something a little more cohesive, although the reaction has been that it is just as “diverse” as UAP! I never have a template when it comes to writing music, so I am glad to stay outside the pigeon holes…. Seems like you have tons of music you are sitting on, How much music do you have? How many albums do you plan to release this year? I have a lot of music. I write every day whether it be for my solo project or for Adamandevil which is my band with my best friend, Scott. For that project, we probably have around 15 songs ready for an album, whereas for my own material (including old “band” songs- drinkme, Magic House) I probably have around 400 songs written, 50 or so will ever see the light of day! I write/produce with other artists and remix as well. I also record electronic/ambient music of which there are probably another 50. (Very Experimental, and only for the really interested!)This year, there are 4 EPs done and one album for the solo material. My biggest problem is my impatience to get out there and play shows, as I miss touring around the world. That requires me having a body of material that people actually WANT to hear!

Do you think the concept of an album is important these days?

Absolutely. I think the recent development of the “shuffle” generation has galvanized music into two different musical listener types. The passionate fan (read Radiohead fans…) and the casual dipper (read Justin Bieber) An album with a “concept” like “In Rainbows” or “Ziggy Stardust” will always weather repeated listens as the concept of those records is coupled with a meticulous attention to detail and a thread that binds the songs beyond their individual natures. A simple collection of songs thrown together will never - Boom Boom Chik

We have featured Julian Shah-Tayler before here on Beehive Candy and having listened to his latest EP 'Blah Blah Blahnik' are delighted to do so for a second time.

Julian is one busy individual, having recently been interviewed by E!, featured in the Huffington Post and performing as part of his ongoing residency with Macy Gray and Rolan Bolan at Prince's favourite Hollywood haunt, Bardot. He has also seen his songs featured in three independent films: "Whip It" (Whitey), "Youthful Journeys", "Prudence" and he also soundtracked an Australian Television show: "West Coast Diaries". He also signed a publishing deal for the debut album of his band "Adamandevil" His new live band debuted for Angie Bowie and Roy Rogers at their enormously successful Haiti benefit show.

He has also been invited to perform this summer in Manila for Imelda Marcos as part of an art extravaganza based on her infamous shoe collection. This was the inspiration behind the lead off track on his new solo EP "Blah Blah Blahnik" - "Show Me Your Soul" (spot the play on words).

OK you may ask but what about the music? Well I have to say having been very impressed with the last release, this latest offering is perhaps even stronger. Great songs, and excellent musicianship and production make Julian a likely contender for much bigger status in the music industry. The song's Electricity & Blood Destiny have to be my favorite's on the EP, lets hope they reach a much wider audience.

Featured:
'Show Me Your Soul'
Website: MySpace.
Buy: Impossible Things Records. - Beehivecandy

Julian Shah-Tayler - Blah Blah Blahnik E.P

"An EP including the song: "Show Me Your Soul" dedicated to Imelda Marcos, and her legendary shoes".

The amount of material that Julian has recorded in various guises and heady collaborations over the last few years is simply impressive. The self publicised E.P`s seem to be his current passion, the range of vocal style and diversity turns this sophisticated avant-pop into sleek studio perfection. You would certainly expect the new album `Coito Ergo Sum` to be a scattering of recent E.P highlights, remixes and the synergy of this multi-instrumentalist`s chameleon persona. I have one of those feelings though, Julian Shah-Tayler`s contemporary vision and classic influences will produce a marvellous Hunky Dory or a post punk visual counterpoint. Sure, when some artists understand instrumentation and master their digital age, the overall advantage can be forgotten, confessional limitations come into force and all too soon the blinkers remain permanent. Julian Shah-Tayler portrayal of the music industry is refreshing, an artist whose work is frequently within my earshot.

[listen] Julian Shah-Tayler : Butterfly
Learn More And Free/Donation Download

Posted by MOJOPHENIA - Mind Over Music at 1:54 PM

Labels: alt pop, alternative rock, electronic rock, ep download, Indie, Julian Shah-Tayler, Los Angeles, mp3 - mojophenia

Written by WDCPoet
July 01, 2010
Top 50 Reviewer
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Overall Rating: 9.0
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This EP is a fantastic introduction to an artist worth watching. With textures and abundant themes, these tracks are both an entrance to a mystical world mastered by Julian, and a manifestation of indulgent artistry. It's hard not to realize that this man is great at what he does because he knows it in his core, and that type of positive energy cannot be duplicated, only emanated. With great variations, lyrics and vocals, this EP is a great investment.

“Wetter” is the 80s track that Adam Lambert could only dream of recording. Think Devo meets Glambert with Madonna lyrics. “Your body is the reason that I came…the wetter, the better.” This track is sassy, classless, and effectively reminiscent of those tracks that defined generations past. ??????????

“Everything Is You” is an Asian-chimes track that dives into mellow-British-rock within seconds. Think Oasis amidst a Gwen Stefani Harajuku dream. ?????????

“Communication” slows it down from “Everything” and gets a little sappy, in the way that only a rocker could. This is also very Euro rock, mimicking the likes of Radiohead. The 2:16 mark is melancholic rock
heaven. ?????????

“Christine” is the track that verifies that “Wetter” was the only rock-out moment of the EP. This one is another obscure, artistic track. It includes a nifty clap ending that is sure to amuse rock fans and Robbie Williams' followers alike (get the wide spectrum of appeal here?). ?????????

“Lullabies” is definitely the best track. It’s slow, still dark, but more audible than rough, more heartfelt than quirky. The 0:52 mark synthesizers cradle this track in a nighttime bubble of…corny as it may be, lullabies. ??????????

“Wetter (Karl Leiker Remix)” is a great remix of the only fast track on this EP, with the inclusion of voices that sound like Juliette Lewis “Oh my God!”. Just as great as the original. ??????????


My Review
Favorite Track Lullabies & Wetter [tie]
Least Favorite Track Communication
Recommend album? Heck Yeah - Mishmashmagazine

Musician Interview with Julian Shah-Tayler, musician extraordinaire, DJ, producer, sought-after songwriter…
Monday, July 12th, 2010 at 6:45 pm

When you were growing up, was there ever that kid in your class that was good at everything? Good at school, good at sports, good with the other kids, and good looking? Well, if that kid grew up to be a musician, he’d probably be like Julian Shah-Tayler who switches from songwriter to producer to performer to DJ with the greatest of ease, talent unwavering.

Already Julian has worked directly with Joaquin Phoenix, JC Chasez, and Violet Flames to name a few. As a sonwriter, he co-wrote the smash hit “Wrap It Up” which has been featured in Whip It, GTA 4, Sopranos, Kyle XY and CSI Miami. He has also remixed a number of artists and DJed in clubs worldwide from the from The Razzmatazz in Barcelona, the Maria in Berlin, Death Disco/Kill All Hippies/Transmission/The Queen is Dead/The Secret Door in London, Happy Endings in New York, and Standard Hotels in Los Angeles. Do you see what I mean? Julian Shah-Tayler is an artist to watch for his versatility,musical integrity and sophisticated artistry.

You have been in a number of bands over the years, how you feel about having a solo project?

It feels great. I have been writing with a solo project in mind before, during and after the time I was in bands. It would be fair to say that in a lot of the bands, the songs were tantamount to solo efforts anyway. Finally because I play all the instruments and produce the songs as well as sing them, I get to do exactly what I want with them now.

What inspired the lyrics to the song “Wetter”?

Ha ha. Strangely I wrote the backing track for JC Chasez (*NSYNC) because I was working with him on some other projects. When I thought of the “naughty” lyric, it just stuck, and I decided to finish the song myself. I read a lot about Prince in my youth, as I was a huge fan. I think that using provocative lyrics does not necessarily denote a lack of subtlety across the board with the rest of the oeuvre. It was only ever intended to be a fun song, and it has certainly proved itself a favourite with my live audiences and radio stations.

You have a full length coming out at the end of the year entitled Coito Ergo Sum, what does that mean and can you expand on it?

Coito ergo sum is a corruption of the Descartes maxim: “cogito ergo sum” which means “I think therefore I am”
Coito, however means “I procreate”…….. The idea is that the use of latin is a little highbrow, but the message is quite cheeky really. I think that meeting of highbrow and lowbrow culture and intent reflects the content of my music nicely. I am quite serious, but irreverent and silly at the same time. Think perhaps of CNN presented by Monty Python…..

How does making music in the UK differ from making music in the United States?

My methods do not differ in the slightest bit between the US and the UK. I think the way it is perceived is the chief difference. Los Angeles is obviously a far cry from London, but my process is the same. Filter life through art and make it sound as interesting as possible….. Repeat.

You have collaborated and/or produced a number of other acts including JC Chasez, Joaquin Phoenix, and Whitey, who was your favorite to work with?

My favourite collaboration is the ongoing one I have with Scott Fairbrother in “adamandevil”, although the experience of working with Joaquin was the most “unusual” as he is a self-confessed non-musician, articulating himself most often in sensate terms. He’s quite brilliant as a producer actually, as he could take the musicians out of their comfort zone into a non-musical paradigm. This creates a very specific mood which helps create an idiosyncratic sound.

What role do you prefer, producer, songwriter, or DJ?

I am most definitely in my element as a singer/songwriter which comprises certain production things as well.

I read somewhere that you write between 50-70 songs a year and put out a new EP every few months, where do you get all this inspiration?

The songs are cathartic. I guess I am writing my diary/autobiography in song form, I guess you could say. Any emotional baggage can be offloaded in musical form.

You were once in a band called Drink Me, so if you were a vampire and could blend any 3 celebrities’ blood into a drink who would they be?

Shannyn Sossamon, Prince, (it would be purple) and Sigourney Weaver (for that added zing).

Find him on Facebook and keep an eye out for his label Impossible Things Records.
- musicgoat

Julian Shah-Tayler

Posted by Josh Taylor on 7/21/10 • Categorized as Features

by Josh Taylor

Julian Shah-Tayler was born to make music. Putting out an EP every few months and pumping out 50-70 songs a year is no easy feat, unless you show prevalently the aspects of a well-rounded musician. His robust musicianship is responsible for his versatility as an artist. What I noticed after listening to his latest EP, Un Ange Passe, is that Julian is a songwriter who creates for his heart’s content. He strays from songwriting conventions and isn’t afraid to experiment if it amuses his untypical sensibilities.

Julian’s songs distinctly belong to their maker. Un Ange Passe is very personal and all the songs on the EP (with the exception of “Wetter”) were written for a dearly departed friend of Julian’s who tragically passed away. The literal translation of the title “Un Ange Passe” is “an angel is passing”, but is usually used when an awkward silence falls over the room. The EP tells a brief and interesting story about what happened to Christine. Julian tells it well, as the story is endearing and stripped down to the most honest details.

Instead of diving into the story headfirst, the EP begins with “Wetter.” The songs on the EP are sandwiched by “Wetter” and the remix of “Wetter” by Karl Leiker. This song is definitely the black sheep… uptempo, naughty lyrics and electro influence. The feel of the song is great and could be a radio hit. The second song on Un Ange Passe is “Everything Is You”, serving as a good transition into the rest of the EP, which is more relaxed musically. The song begins with finger-snapping, chimes and some elusive and wandering exotic-sounding instruments. Then iit develops a direction and chooses to take on a New Order/Depeche Mode feel. The nameless exotics remain, lending a curious tone to the song. It’s almost as if they don’t belong, but are still welcomed.

“Communication” resembles the sparse feel of a desert. It’s expansive (at 5 and a half minutes) and filled with many instrumental breaks. The track lulls and winds but I don’t know that it goes anywhere. All I know is that when I listen to it, I start to space out. If Julian wanted “Communication” to have a daydream-inducing effect, then bravo — well done, because that is exactly what happens.

“Christine” is where the EP starts to come together and the song clearly lays out what exactly happened to his late friend of the same name. Make what you want of the other songs and interpret them as you wish, but here is what happened, Julian seems to say. Musically, “Christine” brings to mind The Smiths “How Soon Is Now?” and has the same pensive inquiry. One of the most striking and revealing lyrics is “as the kiss of the needle delivers you to the real world” followed by this lyric in the bridge “even if this life could give you all the love you need, I guess you had enough.” The verdict: overdose.

Un Ange Passe occupies a certain estranged darkness, but it is only when the listener gets to “Christine” that I feel they can go back and find its lingering presence in the background of the entire EP. Perhaps that misplaced discomfort is the awkwardness that the album title also refers to. Still, the way the song is handled is half ode, half something else that I can’t quite pin down. For a song written for a close friend the song isn’t particularly sentimental, which is odd to me. However, I think those feelings find their way into the next song “Lullabies.”

From what I heard, “Lullabies” was written for Julian’s future daughter. But the listener is also led to believe that perhaps the song’s tender message is intended for Christine as well. The lullaby soothes the listener as well as the singer, perhaps reminding him that everything will be fine and there really is nothing to be afraid of during the night, and maybe in death…

Whatever the ultimate purpose of Un Ange Passe is, it can be listened to in many different ways. Julian is adventurous with his artistic choices and presents his subject matter though a twisted lens. This is not to say that his method is perverse, but rather aiming for artistic perfection on his own terms. Some say that’s a nifty idea. I would say it’s better than nifty, or original, or clever. I would say the whole EP is a noble effort. Too many musicians make music to turn a quick buck but lack the vision to make something worthwhile. Others write for their heart’s content, yet lack the talent to make sophisticated music. Julian, however, is the best of both. He is talented and passionate, which shows remarkably.

One last thing I noticed: None of these songs showcase Julian’s piano talents, but word on the street is that his full-length debut does. Entitled Coito Ergo Sum, it is due in the fall. So keep an eye out, or an ear rather.

RIYL: Depeche Mode, Dave Gahan, New Order, Erasure, Pet Shop Boys, Duran Duran, The Cure, Orchestral Manoeuvres in the Dark, Alphaville, David Wrench, T - Obscure Sound

Provacateur Julian Shah-Tayler pens sexy hit
July 21, 2010
By Sheena

Photobucket

Hitmaker Julian Shah-Tayler, who co-wrote Whitey’s smash hit “Wrap It Up” (featured in Whip It, GTA 4, Sopranos, Kyle XY and CSI Miami) during his stint as the band’s guitarist, and has written/produced songs for Joaquin Phoenix, Bethia Beadman (Courtney Love), JC Chasez, and Violet Flames to name a few, is writing hits for his own project now.

His most recent EP, Un Ange Passe, is to prep fans and would-be fans for his full length debut in the fall. Un Ange Passe introduces listeners to the first single off the album “Wetter,” an electro-influenced avant-pop track with some provocative lyrics. Ahem…

“If you’re getting bored with the conversation
Let’s get down to the penetration
You’re the object of my fascination,
I wanna make you wet with my perspiration
Now…

Your body is the reason that I came
The wetter the better
I want you
I want you”

Are you flushed and blushing yet? If the lyrics didn’t do it, then surely once you start dancing to the infectious beat, that will. Check him out here or on Facebook.
Related Posts - Eatsleepbreathemusic

When I first heard this track I was drawn in by the guitar riffs and pulsating beats. It's somewhat intoxicating with its indistinct poetry which discloses the lies that are said about you and when you pretty much stopped letting it affect you.

"You say what you want about meI hear nothing at allThat tongue telling lies about meJust can't hurt me at all"

I can easily see this track being used on HBO's True Blood, I can imagine it now... The music starts and you see a vampire with blood dripping from his lips as he moves onto his next victim. Did I mention the vampire is Eric Northman? (For all you True Blood Fans) That might help with the visual... This music screams SEXY to me. It's the beat I guess. Anyhow, I highly recommend this track!

Take a listen for yourself and correct me if I am wrong, but I doubt you will! - Lafamos

NTRODUCING...JULIAN SHAH-TAYLER

Julian Shah-Tayler is like a one-man Duran Duran, an electro-rocker who's also DJed alongside the likes of Ladytron and sung in bands with Courtney Love and Joaquin Phoenix. The singer-songwriter is poised to make a splash in the music industry having appeared in the soundtracks to The City, Weeds and Kyle XY.

HIH had the chance to catch one of his electrifying performances at The Mezz in the historic Alexandria Hotel in downtown L.A.:

Our fave: "Say What You Want," a dirty-sexy jam that could be the anthem for nocturnal hedonists everywhere (we're just sayin'). It just screams Rough me up good. Download his other other hot track, "Show Me Your Soul," here.

Posted on September 14, 2010 in Hiko Mitsuzuka, HOT TUNES | Permalink ShareThis

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- Hotter In Hollywood

There are a lot of musicians and artists in the world, but the thing is we only ever get to know certain ones. Many of these talented folks are responsible for supporting the popular faces in music, serving as members of a backing band. In other cases, these musicians serve as the songwriters and producers for hit songs that other artists carry on to become hit singles. Case in point, Linda Perry was a member of one-hit wonders 4 Non Blondes with the song "What's Up." Since that band dissolved back in 1995, Perry has made a name for herself as a hit songwriter and producer, penning songs like Pink's "Get the Party Started," Christina Aguilera's "Beautiful" and "Candyman," and Gwen Stefani's "What You Waiting For?"



Julian Shah-Tayler is another one of those behind-the-scenes players. He has been involved with Siobhan Fahey (ex Shakespeare’s Sister/Bananarama), Courtney Love, Joaquin Phoenix, Whitey, drinkme, Adamandevil, Bunny, Piel, Xerox, PFC and many more playing guitar, bass, and keyboards as well as serving as a producer. And, like most musicians in his position, he makes great music outside of his work with the more well-known artists. In fact, you most likely have heard Julian's music before without even knowing it. His work has been featured in the films "Penelope" and "The Golden Age" as well as various television programs.



If there's anything that can be said about Julian's music, it's that it is versatile. He is capable of effortlessly switching genres, from classical to electronica to rock, without ever coming across as though he's stepping outside the limits of his talent -- a true musical chameleon. You can hear a universal diversity in his music, almost as if his music is a sort of melting pot of different cultures. And that's unsurprising when you consider Julian was born and raised on both sides of the Atlantic. He's also seen the world having DJ'd alongside members of Ladytron, Happy Mondays, The Smiths, Pulp, The Stone Roses, Soft Cell, The Cure in clubs such as The Razzmatazz in Barcelona, the Maria in Berlin, Death Disco/Kill All Hippies/Transmission/The Queen is Dead/The Secret Door in London, Standard Hotels, Key Club in Los Angeles, and Happy Endings in New York.



Julian Shah-Tayler writes, performs, produces, and records all his music himself. He has a clear view of how he wants his music to form and how every instrument can help realize his vision. And when you consider how prolific he's been over the past few years, constantly releasing music, it seems only fitting to call him a natural talent. Music is not so much something he tries to make as much as it is something that exits his body like air from his lungs.



Below, you can listen to two songs from his EP, Un Ange Passe. As demonstrated by these two cuts from the EP, the music is haunting, captivating, and incredibly personal (it was written for a dear friend that passed away).?



<a href="http://julianshah-tayler.bandcamp.com/track/communication">Communication by Julian Shah-Tayler</a>



<a href="http://julianshah-tayler.bandcamp.com/track/lullabies">Lullabies by Julian Shah-Tayler</a>



A song from his Blah Blah Blahnik EP. Fast-paced drums drive this song that's carried by '80s, post rock-style guitars.



<a href="http://julianshah-tayler.bandcamp.com/track/show-me-your-soul">Show Me Your Soul by Julian Shah-Tayler</a>



A song from his new LP, Coito Ergo Sum. This cut recalls Different Class-era Pulp.



<a href="http://julianshah-tayler.bandcamp.com/track/electricity">Electricity by Julian Shah-Tayler</a>



“The feeling when I have finished a song beats anything except the excitement that comes across peoples' faces when you play something you know has connected on a deep level with them. All I want is people to enjoy the music." - Julian Shah-Tayler

BUY: Pick up Julian Shah-Tayler's music here (name your own price) or on iTunes. - mixtapemuse

Alan McGee favourite Julian Shah-Tayler (ex Whitey guitar player) to release debut solo EP - "Un Ange Passe" on 1st January



Julian Shah-Tayler

Wetter EP – “Un Ange Passe” released 01/01/2010

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“Wetter is Massive, It will make (Julian) a star” – Alan McGee (Oasis/Primal Scream/My Bloody Valentine)

“Very Impressed” – David J (Bauhaus/Love and Rockets)

Broadjam - 2 Number 1s – California and Alternative Rock

5 Garageband “tracks of the day”

Played guitar in “Whitey” – cowriting the smash hit “Wrap It Up”

(heard in “Whip It”, GTA 4, Sopranos, Kyle XY and CSI Miami)

Played Keys/Sang with Siobhan Fahey (Shakespear’s Sister)

Played keyboards/sang on Joaquin Phoenix’s solo album,
Played guitar for Kerli (Island Def Jam)








Now releasing the debut solo EP “Un Ange Passe” in tribute to Christine Shroy-Hull who left us on the 6th September 2009 and features on the cover.

It will be released on iTunes , all download sites and special edition CD mail order via Impossible Things Records on 1st January 2010

Anyone that buys the special edition EP CD from the Impossible Things Records website will also get a bespoke recording for them by Julian. It might be a specially recorded song, a live favourite, a version of a song from the EP or something else altogether, but guaranteed to be available to no-one else in the world (unless they upload it themselves..... Ask for something specific, you might maybe perhaps perchance get it, but be careful what you wish for!!

It is currently available for pre-release download on the free/donation site via this link: http://julianshah-tayler.bandcamp.com/album/un-ange-passe

http://www.myspace.com/juliandrinkme

http://www.facebook.com/jshahtayler

- nerdy-frames.com