Shotgun Party

"Their music lives in an area somewhere between honky-tonk or the classic blues of folks like Memphis Minnie, and modern alternative music. The instrumentation is completely traditional -- fiddle, bass and a gorgeous old archtop acoustic -- but the songs (all originals) go places you don't expect. Katy plays wicked fiddle, sometimes like horn lines, sometimes like keyboards, sometimes very dissonant, and Christopher Crepps on bass was right there with all the weird changes and unexpected turns, playing masterfully in the classic style. And Jenny Parrott is one of the quirkiest and most engaging singers I've seen in a bluegrass setting in some time, and a great songwriter. Her voice ranges from little-girlish to gutbucket blues, sometimes in a single line, and a stage presence that's hard to describe and harder to capture on camera in very low lighting. Check the link above; they're playing several more times in the area over the next few weeks and are well worth catching." -SteelBrassnWood "Riffs and Licks" Review of Shotgun Party at the Sheriff Sessions 11/07 - Riffs and Licks

Unheralded opening trio Shotgun Party blew the house away with a set of Texas swing that had one foot among the tumbleweeds and the other in outer space. Singer Jenny Parrot has an arresting, brassy voice with a permanent, fluttering vibrato, and a stage presence that was just art-school enough to let you know somebody up there’s a-thinkin’. Kind of like a two-step Björk, without the annoyance factor. Fiddler Kay Rose Cox gets virtuoso honors for the night; her solos were hair-raising, heroic statements. Shotgun Party will be back, and when they are, go. -Paul Rapp, Club Helsinki Show Review at Metroland Online - Metroland Online