Stone Parade

“Heads are sure to turn. Stone Parade have delivered an album that features some epic songs. Stratosphere showcases an album that understands where their sound lies and more importantly where they want to take it.” – DRUM MEDIA

“Home grown rockers Stone Parade strap in and go straight ahead with crunchy riffs and big beats on this independent release. The opening tracks Paranoia and Mr Spaceman are worth the price of admission.” – SUNDAY TELEGRAPH

“Stone Parade are out to make a statement. Their debut album Stratosphere is a heady mix of sonic forces that channels everything from The Killers, Muse, and Australia’s own Wolfmother. The album traverses many genres and showcases their ability for experimentation. Lead single “Paranoia” has afforded the band early success on commercial radio and if the calibre of this album is anything to go by, these lads might just parade themselves to #1 on the album charts.” – THE AU REVIEW

This is how Australian press are perceiving Stone Parade’s latest offering ‘Stratosphere’. With this album the band have embarked on a slighty different path with a more low fi, vibrant, raw appeal. A natural progression from their debut album ‘Chase the Setting Sun.

“If you stop searching, that’s the biggest risk you take in life. You’re stuck in that one moment forever. Everyone is always searching for something new; hunting for that new thrill. That need/desire is even deeper if you’re a songwriter, so the moment you settle for something, you stagnate. We’re not about to let that happen to us.”

Stone Parade vocalist Greg Byrne is wise beyond his years. While he may look fresh-faced and inexperienced, as the front for a collection of strapping young rhythmic rockers from Sydney, Australia discusses the modus behind both band and latest venture—independent sophomore full-length Stratosphere—he confirms one simple fact: this isn’t a group of vacuous rookies. Stone Parade’s innate drive is just as pummeling, impassioned and fertile as it is consciously adventurous and complex.

While the legacy that is Stone Parade resonates back to youthful connections forged during scholastics, Byrne reveals that this fervent five-piece was not fully consolidated until well after final exams had been written and forgotten. Working away at his own musical career, the statuesque singer inadvertently reconnected with former colleague Alex Qasabian whilst looking to expand beyond solo performances. Searching for their creative muse together, the duo found it in the most unlikely of places.

“Back in the day, I had a restaurant gig and was looking for a guitarist,” Byrne smiles. “It just so happened that I found Alex, a guy I’d played with years before but hadn’t considered. We went to a country festival and had the worst time you could possibly imagine. Alex said, ‘We’re starting a rock band,’ and it took off from there.”

Charged with enthusiasm, the pair immediately sought out musicians cut from the same cloth yet looking to carve a new rock ‘n’ roll pattern. Teaming up with the Fouche brothers circa 2003 and worked through a number of potential skinsman until finding a tailor-made fit in Handley some four years ago. Stone Parade’s stability, vivacity, commanding presence and unforgettable aural onslaught was then solidified by what could be described as the band’s “Spinal Tap” adventure.

The quintet flew across the world for what their then manager told them would be 3 months of extensive touring. When they arrived they found out the tour had never been booked. They fired their manager, rolled up their sleeves, and took fate into their own hands. They met Go Go’s drummer Gina Shock and proceeded to record demos at Los Angeles’ Interscope Records. They spent two months packed into a studio apartment before being evicted and surfing couches and/or floors for another four weeks while alternately tracking at a world-renowned studio and performing a sold-out show at the prestigious Viper Room.

“We made do with what we had,” Qasabian reminisces. “Each day, we would deflate our department store blow-up beds to be able to walk in the tight space and at times, had up to eight people sleeping in the room. We were evicted by the end of the second month due to our landlord illegally subletting to us. When we came back to Australia, we wrote our first album, Chase the Setting Sun, which was highly influenced by that trip/experience.”
Chase the Setting Sun was released in Australia in 2008 and spawned a radio hit with their first single “My Generation”, which went Top 20 on the national ARIA charts and #1 on Australian Independent Radio (AIR) charts. Their track “Somebody Will Miss You” won the prestigious International Songwriting Competition for best Rock song and received several sync deals on Australia’s commercial TV stations.

While proud of that album’s impact however, Stone Parade quickly found themselves longing; hungry for the heartiness of ingenuity. Hunkering down, they craft