Music
The best kept secret in music
Press
This band has no press
Discography
Forever i can purr, 2012
Ghost (single), 2012
The Dodoz, 2009
DYLB (EP), 2008
Photos
Feeling a bit camera shy
Bio
We left them on stage. We dont really recall what month it was or the venue. We just remember the group and how they completely won over an audience that night that wasnt necessarily behind them from the start. Their weapons? Disarming naivety, glorious stadium anthems, infectious assertiveness and if youll excuse the word an obvious freshness. So we left them on stage, which was where it all began for them. We toured intensively after the release of the first album. We put together the second album live, adding new tracks to the set and improving them on stage. We learned more about how to write songs. We also grew up a lot and took a step back from what we were doing. Think maturity. All in all, their progress was understandable. When youre supporting world-famous names such as Franz Ferdinand, Babyshambles and Siouxsie, you naturally have to grow up a bit faster than other bands. We also have to remember that they were billed at the biggest festivals too (Solidays, Francofolies, Paléo, Art Rock). So while their first album symbolised adolescence, all its wildness and its need to kick out the jams and continually up the pace, this second effort marks the passage into young adulthood, when youre aware of the ground youve covered and, although youre still young at heart, youre conscious of mistakes you should avoid in future.
This record or at least a good half of it is nothing like we thought it would be when we talked about it. There are songs with more of a pop feel that fit the verse-chorus-verse-chorus template. Before, we wanted to use the technical skills we had on every track, but we dont do that any more. Its ironic: we recorded everything on tape and it could have sounded very garage, but it actually sounds more heavily produced than the first album when it isnt. The new record is called Forever I Can Purr. Jules, Adrien, Géraldine and Vincent cant believe its being released on Dylans label or that they were lucky enough to be offered the services of Mike Crossey, whod already worked with the Arctic Monkeys and Foals (among others) major bands in their rock n roll education. Of course, they still kept their gang/family spirit alive: Peter Murray, whos been with them from the start, has a production credit on the album. All this doesnt surprise us that much. Head and shoulders above the rest since they started out, the band from Toulouse have long shown that they have the innocent charisma and catchy tunes needed (along with other things) for a lasting career. This second record is important and they know it. The results measure up to all the pressure and expectations.
We write at home, on our own. We send each other our ideas and when we get together, thats when the live part comes in. We dont use any instruments in the studio that we cant use on stage. Next as we said comes the live performance, which is an important part of the creative process. Some tracks, though for instance Ghost, the first single werent a product of live performance. Ghost is a surprise like the rest of the album in fact. What we remembered about The Dodoz was their way of stringing together disparate elements to create startling tracks, concise escapades to an unknown destination. Things are more direct here. Theres more pop, with all thats tuneful and popular about the genre. The music is more daring too. For instance, the first single, Ghost. Then theres the wild Death In The Pocket Of His Coat, the hip-hop flavoured Black Emperor that reflects the groups eclecticism, the catchy Dum Dum, the dark, almost noxious Liar and the strong Television leanings of Stroke My Curls. All are there.
When we formed the band, the main thing we wanted to achieve was simply people coming to a concert because of our name. And to release an album. We did that and we were happy. But then you dream of more. Now, for instance, we want to go to the United States. Thatd be brilliant. Were not too worried about that, theyll go there sooner or later. But although releasing an album was obviously the initial goal, bringing out a second one isnt just the icing on the cake. They planned this record, put a lot of enthusiastic work into it, and here it is today. The Dodoz have realised a new dream. The next will inevitably be bolder, bigger and finer, like Forever I Can Purr. Bold. Big. Fine.
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