The HEAP
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The HEAP

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"The HEAP "Deluxe""

The HEAP

Deluxe

Independent Release





Much about the newest release from Athens’ very own funk band sounds appropriately Southern. Sure, bassist/band leader Brian Howard’s gruff but melodic voice is the most blatant aspect of this regionalism, but there is a deeper, souls-grown-in-the-South resilience that permeates and also charmingly characterizes Deluxe: songs about getting too drunk (“Alcohol”), girls who run away from home to live seedy but relatively exciting lives (“Rosie,” “Get Around”), and the rebellious joy of making a mark on the world with a hammer one pound lighter than most other people's (“8 lb. Hammer”), for example.


The HEAP’s reputation for having a stellar horn section often separates from the band and goes out for a drink around this city. I have met it several times - it’s a good reputation. To the other citizens who have shared time with this bit of folklore as well, I can assure you that the mixes on Deluxe will not disappoint; the horns sound wonderfully bright and clean, and even the most subtle pitch shifting transferred enthusiastically onto the record. And with “bonus” instrumental versions of eight of the nine original tracks bringing Deluxe’s grand total up to 17, horn lovers definitely have a chance to get a private audience with some tasty riffing.

Based on the genre information their CD gave my media player, The HEAP apparently (but perhaps not surprisingly) has been labeled as an R&B act. Though not wholly untrue, it does necessitate another point: while there is a lot of "R" and "B" on the album, there is effectively zero wallowing in slow misery here. These tracks are unflaggingly upbeat, and even the most depressing vocals on the album feel worth singing in victory with such a solid and funky band backing them. Paul Kim’s organ and keyboard work gets the final praise here, as it really helps unify this whole collection - it’s flashy, boisterous and impressive, very much like Deluxe in general. If you can’t dance to this, you may never dance at all, I’m afraid.

Tony Floyd

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- Flagpole Magazine (Athens, GA)


Discography

The HEAP "Deluxe"
Independent Release 2009

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Bio

The HEAP is an amalgam of several different styles of music, and its members name bands as diverse as Morphine, Soul Coughing, and Sly and the Family Stone as influences. On stage, its two bass players, a three piece horn section, a keyboardist, a percussionist, and a drummer all work their hardest to make you feel the groove.

Recording artists Bryan Howard, lead singer of The HEAP, came up with the idea for the band back in 2007, during a conversation with bass player Jeff Rieter. At the time, Howard and Rieter were already involved in projects; Howard with his old band Slackdaddy as well as with Kevn Kinney's Sun Tangled Angel Revival, and Rieter with the band Baghouse. When their schedules slowed they came together again, and decided to see their idea to fruition.

Finding musicians to fill out the band proved easy, not a surprise considering the group calls music haven Athens, GA, home. First, Howard recruited Ian Werden to the drums, who he played with in Slackdaddy. Howard and Rieter then recruited their horn section - a crucial part of their current sound, and what makes the band stand out from the typical Athens group. Jeff "The Sickness" Crouch was recommended to the band by a good friend. He immediately said he was interested, and recommended Marc Gilley and Chris Costigan, local sax players, and keyboardist Paul Kim. The band's final addition, percussionist and drummer Diego Catalan, fleshed the project out, and ensured there was a nice solid groove.

Together, they play the unique danceable brand of indie soul that has quickly become popular in the Athens community, and lauded by bands from the venerable Violent Femmes, to Kevn Kinney, to Prince and the Revolutions's Dr. Fink. Brian Ritche from the Violent Femmes has gone as far as to say that "[The] HEAP funks like James Brown, slides like Dr. John, blows like Ornette Coleman, and dances like an octopus. [It's] entertaining music that has some substance."

The band played its first show in May 2007, opening for Kevn Kinney, and have quickly gained a following throughout the Athens and the southeast. Be on the lookout for The HEAP in the spring of 2008. Co-produced by The HEAP and Bill Doss (Apples in Stereo, Olivia Tremor Control), the album marks the debut studio release from the band.