Music
The best kept secret in music
Press
“The up-and-coming Seattle band brings an original sound to the table matched with good lyrics and a better voice. Listeners will be glad to find that it's loaded with energy and enthusiasm, yet it delivers a sound polished enough to deflect lasers. While those who have gone before have come near the target, The Myriad hits the bull's-eye; the result is something indie-rock's elder statesmen should take notice of… The result is innovative, but familiar. The key in this sense is the talent that is inherently presented in The Myriad. If the band were merely imitating, the album wouldn't maintain the consistency it has managed to preserve so well…” ~ Andrew Lasseter - Gonzaga Bulletin (October 2004)
"If you're a fan of Muse/Radiohead/U2, there's a good chance that The Myriad could be for you. Singer Jeremy Edwardson's silky-smooth vocals are of standout quality to say the least, and the five-piece band writes flat-out interesting songs with a multitude of atmospheric layers and sound textures. And unlike some indie artists, these guys... provide high production values, as their latest 4-song EP sounds very polished." ~ James Wetz - HM Magazine (September-October 2004)
"I couldn’t help but notice the quality of the performance of this first song (Big Screen), not two minutes in, they appeared so comfortable and engrossed in the music, it seemed as if they had already been on stage for an hour. Over their set, they covered a few older songs, but mainly focused on their new EP, the most memorable performance came in the form of ‘We Will Be Disappointed Together’. As I panned the growing crowd, I noticed that this song, out of all of those The Myriad played, had everyone’s eyes fixed on the quintet, each person visibly moved while all of the band members performed the song as if it was the last time they were ever going to be heard." ~ Phil Del Costello - Indie Workshop (August 2004)
"I’ve read and heard comparisons to Radiohead, Sunny Day Real Estate, and Rush, these are close, but they can’t be directly compared to anyone. The Myriad has honed a sonic style of rock that doesn’t come around very often, their songs are carved from the thick molds of loneliness, heartache, romance, and doubt;..." ~ Phil Del Costello - Indie Workshop (July 2004)
"Absolutely beautiful melodic strains and atmospheric sounds. (Radiohead, but more commercial sounding). Six fabulous gems grace the Which of You EP. The band has been working on new material all winter." ~ Doug Van Pelt - HM Magazine (May - June 2004)
"This seven song EP from Seattle-based band The Myriad is full of rich layers of instruments and vocals. Though we hesitate to do so, we must say this band reminds us a lot of Radiohead. We do, however, suggest that you wait to force these guys into your precious musical categories until after you check out their CD." ~ National Tours - National Tours (August 2003)
"The Myriad was another band on the New Band showcase. [Cornerstone] list their influences as Coldplay and The Violet Burning, which fits just about right. The music has atmosphere to it, but it often took a turn toward heaviness as well. The band sounded tight and talented, putting on an excellent show." ~ Trae Cadenhead - Phantom Tollbooth (June - July 2003)
"The Myriad add one more name to the impressive list of Seattle based bands to rock the world. With a dynamic sound that combines an emotional punch ala Coldplay, The Violet Burning or Jeff Buckley with a brazen wall of guitar style not entirely unlike Smashing Pumpkins, The Myriad defy easy categorization, yet fit right in with today’s modern music scene." ~ John J. Thompson - Cornerstone Festival Magazine (June - July 2003)
"THE MYRIAD, a Seattle indie rock band was one of the big hits at this year's Tomfest/Portico. They wowed many of the RAWK crew in attendance at Tomfest, including through the performance of [guitarist] Jon Young, who applied a bow to his [guitar] on occasion. This is sweet stuff. Bring a date, or your Mom, because this will be music for all ears." ~ Dale Strom - RAWK Online (October 2003)
Discography
"You Can't Trust A Ladder" Floodgate Record (2005)
"Self-Titled" EP self-released (2004)
"Which Of You" EP self-released (2003)
"Until We Meet Again" EP self-released (2002)
Photos
Feeling a bit camera shy
Bio
Drawing rave reviews from both fans and critics nationwide, The Myriad's music covers a diversely artistic panorama. Atmospheric, melodic strains fill lyrics of heartache, doubt, faith and romance, while epic soundtracks span thundering anthems and sincere confessions. The band has quickly earned a sing-along relationship with fans everywhere; a connection founded more on captivating performances than on-stage antics. Creative melodies evocative of at times Kent, at others Franz Ferdinand, are delivered with the grand musical scope of The Verve, Doves and The Who. In their quick emergence, the band has already performed with Pedro the Lion, Further Seems Forever, Blindside, Lovedrug, Mute Math, and The Beautiful Mistake.
In truth, The Myriad is as much a musical vision as it is a band. So far as traditional thinking would dictate, the band is an alarmingly democratic entity. Developed from the midnight musings of front man Jeremy Edwardson and bassist John Roger Schofield, the concept was simple and immediate: a living, breathing artistic unit that draws equally on the creative energy of all members (a model often attempted but rarely realized). Shelving other projects, the two invited Scott Davis (drums) and Jon Young (guitar) to in their ranks. Steven Tracy, already working Edwardson as a Seattle-based engineering duo of growing renown, completed the lineup.
Within months the new band had recorded and released a maxi-single for Until We Meet Again. Critics and fans alike were quick to affirm the bands design in late 2002. Hailed by local press for its absolutely beautiful melodic strains, the debut release sold-out on the strength of consistent regional touring in the Northwest. The bands 2003 follow-up EP Which of You led to national touring on the strength of the CMJ single William, and another sell-out ensued.
Through continued national touring in 2004, The Myriad began to garner interest from labels both large and small. The band ultimately chose to continue laying the foundation on the grassroots level, signing with SoCal indie Floodgate Records in early 2005. After releasing a final self-titled EP as a precursor in late-2004, the band spent the winter months crafting their full-length debut.
Produced by Aaron Marsh (Copeland), the resulting You Cant Trust A Ladder features gorgeous vocals, spacious guitars, and rhythms spanning a variety of soundscapes akin to Elbow, Ours, and early-Radiohead. Since its release in June of 2005 the record has quickly picked up steam, with the immediate single Perfect Obligation already charting on various underground stations. With bands like The Killers and Coldplay already throwing open the doors to American radio, the setting is perfect for a rock band whose music has a flare for the dramatic and whose live show delivers corresponding intensity. The Myriad are poised and the buzz is growing. Stay tuned.
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