The Nadas
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The Nadas

Des Moines, Iowa, United States

Des Moines, Iowa, United States
Band Rock Americana


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"The Nadas - The Ghosts Inside These Halls"

The veteran roots rockers out of Des Moines are firing on all cylinders on their sixth studio album, The Ghosts Inside These Halls. From "Loser" — an answer to Beck's slacker anthem of the same title? — through the silly hidden track that may or may not be titled "Muy Cuando," The Nadas consistently deliver stirring songwriting and ear-pleasing vocals backed by artful arrangments. Standout tracks include the heartwrenching "Pieces On The Ground," the neo-prog rocker "Something's Burning," and the wistfully satisfying "James." (SC)
- Americana Music Times


Most musicians will tell you: “A band is like a marriage.” And if that’s the case, you can learn how to stay together by consulting Iowa’s The Nadas. After maintaining a musical career together for over 15 years, The Nadas prove that with all the time spent in marriage, there also comes a comfort within yourself and the music you put out.
The band’s sixth album, "The Ghosts Inside These Halls," is a collective effort of radio-ready tunes that are sure to move any audience. Examples of this are found in tracks “Something’s Burning” and “Feels Like Home” that fit seamlessly with family-friendly good times and moments of hope. If your scene is lacking an authenticity not reachable through words alone, The Nadas’ sound will give you something to cry about. And there is nada wrong with that. -


Not A Sound - January, 1996
New Start - October, 1997
En Vivo! - December, 1998
Coming Home - December, 2000
Show To Go - December, 2001
Transceiver - March, 2004
Listen Through The Static - September, 2005
The Ghosts Inside These Halls - March, 2008
Almanac - A yearlong recording project with the intention of capturing 2009 one month at a time in album form:

The Nadas receive radio airplay from independent radio stations across the country:

Star 102.5 -- Des Moines
Star 106 KLSS -- Mason City
KOHO 101.1 -- Kent, WA
KPCW -- Park City, UT
KPFT -- Houston, TX
WERU -- East Orland, ME
WMNF -- Tampa, FL
WMKY -- Morehead, KY
WKZE -- Sharon, CT
KOHO -- Leavenworth, WA



From the White House to “Real Housewives,” transparency has become the promise of the digital age; everyone is broadcasting everything all of the time. So what happens when a rock band throws open the studio doors, stops being polite and starts getting real?

Des Moines rockers The Nadas found out when they set out last January to record their seventh LP, Almanac, virtually live. The rules were simple: the band would write, record and release one song a month all year. What’s more, every step of the process would be streamed live on the band’s website and with unprecedented access to the creative process; fans were allowed to become an integral part of this album. By joining the band’s web-based Almanac Project, fans could monitor their blog and read the band’s project journal. Comments and criticisms on everything from lyrics to instruments were welcomed and even, in a few choice cases, incorporated into The Nadas’ music. In September of 2009, select fans that had joined the Almanac Project were extended an exclusive invitation to a special songwriting session arranged to write that month’s addition to this most unique album.

By 2009, with hundreds of thousands of copies of their previous six albums sold, and having toured along thousands of miles of highway (in Meatloaf’s old tour bus, no less), one would think Playboy Magazine’s “Best College Band You’ve Never Heard Of” would have little to worry about. However, singer/guitarist Mike Butterworth regretted the whole song-a-month idea almost immediately, “By February, I’d decided it was a terrible mistake,” he says. ”I didn’t like being forced to be creative on a schedule, and it wrecked havoc on the creative process. Knowing that people were watching me fumble through musical and lyrical ideas was really difficult. I was self conscious the whole time.”

Co-founding singer/guitarist Jason Walsmith was equally dubious, “The truth is, the process of writing and recording is kind of ugly. I felt dumb singing things for the first time, sounding like junior high choir boy.”

Butterworth and Walsmith are known for their flawless songwriting, but opening the normally intimate process for public scrutiny proved to be a trying time. By the end, though, the finished product is truly their best to date. Despite (or perhaps because) of the rigorous, self-imposed deadlines and wildly public creative process, the 12 tracks produced on Almanac, finds The Nadas in top form.

Their previous efforts The Ghosts Inside These Halls (2007) and Listen Through The Static (2005) have found the band (rounded out by bassist Jon Locker, drummer Jason Smith, and violinist Becca Smith) alternating between alt-rock and alt-country. Now, Almanac finds the band fully embracing muscular, anthemic rock. ”Bitter Love,” “Dodged a Bullet” and “Last to Know” stand confidently alongside the band’s most amplified efforts.

The surprise is in the band’s strong-but-subtle instrumental choices: staccato strings in “Long Goodbye,” tin whistle in “Crystal Clear,” steel drums “All I Want Is You.” Where a crisp keyboard sound in “Parachute” borrows from Van Halen’s “1984,” the hint of auto tune in “Long Goodbye” appropriates a dash of Kanye West.

Less surprisingly, though, is the affect of the band’s very-public recording process on the lyrics. Tracks like “Call Me” and “Crystal Clear” find both frontmen at their most exposed.

“I’m not gonna’ let it break down,” Butterworth (whose marital woes read like an open wound in “Ghosts”) sings in “Crystal Clear.” “I’m not gonna’ let it fall apart the way it did again.”

In the end, even he admits that Almanac somehow captures all twelve months. “It was an average year: I lived in the same house, had the same wife, toured in the same bus, and took the same vacation. But I don’t think Almanac is an average record. We stepped way out of our comfort zone in terms of writing and producing. Somehow, it’s our most cohesive record yet.”

“It was a risk,” Walsmith said. “But our die-hard fans were game. They came along for the ride. And, just because a little bit of the magic was taken away doesn’t mean they didn’t relish the process.”

Like so many American bands, The Nadas started as a way for its members to pass the time between college classes. Unlike so many American bands, The Nadas outlasted their educations and rode a growing fan base to a genuine, honest-to-goodness career.

While Butterworth is known for his rock ‘n’ roll intuitions (on perfect display in his live cover of the Beastie Boys’ “Sabotage”) and Walsmith for his alt-country roots, they work perfectly as a songwriting unit, skillfully evoking the romance, introspection and uncertainty of living life on one’s own terms in the 21st Century.

Those terms are what brought on the thoughts of intertwining their fans and the rise of social networking into the process of the album. Over the past sixteen years, The Nadas have built a strong community of fans and