The Saine Catherines
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The Saine Catherines

Montréal, Quebec, Canada | INDIE

Montréal, Quebec, Canada | INDIE
Band Rock Punk

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This band has not uploaded any videos

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""If you like this record it is probably because you were there when nobody else was.""

The liner notes to The Soda Machine state that "If you like this record it is probably because you were there when nobody else was." It just so happens that this release combines two things that are usually relegated as “for the fans” material: the band DVD and the odds ‘n ends collection. So I figure that while usually being an avid fan of a band makes unbiased reviewing harder, I think in cases like this it is rather essential because the material found within is intentionally for the already converted.

The CD portion of the collection contains a whopping 25 songs spanning the band's entire career from their early demos to outtakes from their most recent Fat Wreck release, Dancing for Decadence. “Still Not Getting Any…Credibility” starts things off proving once again that these guys enjoy taking jabs at Montreal pop-rockers Simple Plan. The song is decent but doesn’t really stand out too much, so it was understandable that it was cut, but the next number “Theme Song for Another Brown Tuesday” is the real head-scratcher. It is a really catchy and melodic number compared to the rest of Dancing for Decadence and would have added some welcomed variety. Hugo mentions it reminding him of Lifetime in the liner notes and I wouldn’t say that influence is far off. One of the more interesting songs on the collection comes in the form of “The Unforgiven 3 (Best Song Ever).” It is an acoustic song recorded for a comp that never came out and you’d think it might sound like a Yesterday’s Ring tune, but not at all. Hugo says how they wanted to do a big ballad like Skid Row or Mötley Crüe for fun and they sort of pull it off (they even have a big electric solo in the middle of the song).

If you already own all the band’s vinyl, this may seem kind of redundant because the 7” splits with Whiskey Sunday and Fifth Hour Hero are represented as well as the 12” EP, The Machine Gets Under Way. Either way it is nice to have digital copies of those songs and the band has included some unreleased songs from those sessions, so if you haven’t heard those albums the unreleased songs are given a better context.

One downside to the collection is that the final two songs included are from the band’s first album, Those Stars Are for You. Not that they are bad songs, far from it, the problem is that the whole album is long OOP and not easy to track down and it would have made more sense to include the whole thing instead of some of the vinyl and comp tracks that are still in print.

The DVD splits live footage from the band’s 500th celebration show in their hometown of Montreal in between interviews with current and former members of the band, road footage of the band, other band personalities such as Brendan and Neil of the Lawrence Arms, Fat Mike, Malcolm Bauld, Chicken of Dead to Me / Western Addiction, Against Me! and Fifth Hour Hero. The DVD really gets into the personality of the band and you can see the sense of humour behind their often ridiculous song titles in the joking sexual exploits of their underage former drummer and a particular funny story where Against Me! gets into a fight with members of a club in Guelph, Ontario when the DJ calls the hip-hop duo Outkast fags upon a song request and Tom “The Table” Gable proceeds to attempt to beat the ignorance out of said DJ. But it isn’t all humour, as you get to see the progression of the band in a personal way when the band explains that when they started out, vocalist Hugo was hated by the crowd and wasn’t friendly at all, but now when you go to their shows you’ll find him to be one of the friendliest band folk around. The exiting of a former guitarist is explained because he wanted his guitar sound to be played cleanly and you can see when he leaves the band how their sound shifts from a Midwest emo-meets-hardcore sound (i.e. Split Lip / Chamberlain) to the somewhat HWMish post-hardcore found on their latest full-length. The movie portion is also playable in French Canadian for all you Francophones and there is a music video portion of the DVD containing all the band’s music videos.

Whether you call it pop, soda or soda pop, the Sainte Catherines have provided a band DVD that is wonderfully filmed and is both insightful and entertaining (WARNING: there is some full frontal nudity, so it could also be arousing depending on your predilections toward penis -- French Canadian penis!). To top it all off it is beautifully packaged with in-depth liner notes. The music portion is expansive and almost always a decent listen at the very least that should hold fans over ‘til the next record, which might be a ways off with a new Yesterday’s Ring album in the works and according to Hugo only about one new Sainte Catherines song written. - http://www.punknews.org/review/7407


"The Soda Machine"

July 10th, 2008
The Sainte Catherines - (Indica/Outside)

The Soda Machine
Dave Jaffer

This is a two-parter: The CD contains 25 tracks of previously unreleased material, much of it written for 2006's Dancing for Decadence. Liner notes explain why certain songs never made previous records (read: Fat Mike didn't like), and mostly, it's awesome, with tracks like My Ass Is on Fuego, What About Yours?, Sour Grapes and Burn Guelph Burn (amen!) kicking miles of posterior. The 90-minute film (of the same name) is also highly enjoyable, a road movie detailing eight years of TSC being, well, a hard-working punk band that's managed to stay alive on a diet of table scraps.

***1/2 - http://www.ottawaxpress.ca/music/spin.aspx?iIDDisque=4886


Discography

The Soda Machine (Indica Records - 2008)
Dancing for Decadence (Fat Wreck Chords - 2006)
The Art of arrogance (Dare To Care - 2003)
The Machine gets under way (Eye Ball Records - 2002)
Those Stars are for you (Yoyo Records - 1999)

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Bio

The Sainte Catherines have been around since 1999 and are the first band Fat Wreck Chords has ever worked with from Quebec. Montreal to be exact, sacre bleu! Their Fat debut, Dancing For Decadence, is a perfect representation of their hard-working, hard-drinking, hard-hitting brand of punk rock. People call them crusty, punk, metal, hardcorewhatever, but they sarcastically describe themselves as Motley Crue taking a bath with Tragedy while Hot Water Music argues with Leatherface about the state of punk rock. At least we think its sarcastic?
A more accurate description would have to include the fact that this is a band that is truly living among the activist/punk community. Guitarist Fred is employed full-time by Greenpeace, Marc tracks punk bands at his home studio, Bassist Pablo works at Montreals most renowned punk record shop, and so on. Shoot, singer Hugo is a Janitor for crying out loud, and you cant get more punk than that! Hugo explains their bands involvement, Its just natural for us because we all share the same punk rock ideals and desire to make things better. I think its really weird when bands in this scene dont have that set of beliefs.
The French-Canadians not only have golden hearts, but iron wills. Theyve toured in 11 different countries and have more than 600 shows under their collective beret. Tours with bands like Against Me!, Subhumans, Me First and The Gimme Gimmes, Leatherface, The Lawrence Arms, Strike Anywhere, etc. With the impending release of their new record the band is poised for many months of the same. .
The band insisted they record the new album in Montreal in an effort to capture all the scum and revelry that is their hometown. A city that has recently given birth to booming metal and indie scenes, The Sainte Catherines wanted to make sure Montreal gets its punk rock propers. On top of that, they enlisted the help of Alex Newport, who specializes in heavy rocking and has worked with bands like At The Drive In, Sepultura, The Locust, Melvins, and more. The end result is a vicious punk LP that has The Sainte Catherines and their three ripping guitars (thats right, three guitars) firing on all cylinders. Frontman Hugo says, Its classic punk rock: fast, angry, melodic, and fun. And we did it right for the first time!
Now you see why we wanted to work with these wacky bilingual punks? Theyre a dynamic band made up of very dynamic people. On top of the compelling lives they lead, they also have a Country/Western side project called Yesterdays Ring that plays sold out shows in Montreal. Totally weird, but lovable dudes, through and through. Be sure to see these road-ready punks when they come through your town and have a listen to their newest full length, Dancing For Decadence!