The Vulcan Dub Squad
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The Vulcan Dub Squad

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"Toronto Sun Article [July 2005]"

THE VULCAN Dub Squad is a mysterious group of faceless musicians from Toronto who play nearly everything BUT dub -- mostly garage rock 'n' roll, dreamy pop and angular Brit rock. Their live shows are raucous events in which they can really let loose and go wild, maybe because they insist on wearing masks onstage. But there are downsides to the anonymity, according to singer/guitarist Ranbir Gundu, like not being able to see what your bandmates are doing. "It's tricky," he says over the phone from Brampton. "We use backlighting so we can see the outline of the people onstage, and if we get lost or someone makes a mistake, we use really big gestures to signal each other. Singing is hard, because the mask has a mesh front, and the sweatier you become, the deeper down your throat it goes. But I think we're solid enough from practising that we're usually fine." For now, drummer David Croft and new bassist Matt del Buono -- are committed to their facelessness, but that may change. "There's a feeling of liberation when I put the mask on, like if I trash a few microphones and jump around and knock stuff over, no one is going to know who I am or think I look silly," says Gundu. "But it definitely makes things more difficult, and a lot less commercially viable. It's a fine line, and I don't think we're going to walk it for much longer." The Vulcans are nearly as slippery when it comes to defining their music as they are about revealing their faces. On their brand-new album, Just Watch Us, they lurch back and forth among genres from track to track, but seem to possess mastery over each one. It doubtless makes them hard to market, but fun to listen to. "Don't you get annoyed when you buy a CD and get 10 variations on the same song?" he asks. "If you really love music, it's so hard to stick to one type of it. And when you make it, a pastiche comes out, made up of everything you've listened to. And our generation has more information at our disposal than any other, so the opportunity to hear all kinds of music is greater than ever." On Just Watch Us, all those styles are held together by a certain sonic topcoat applied in the studio. "The premise was to record an album that sounds like when you were really not cynical about music," says Gundu, "and somebody made you a tape and you played the hell out of it without worrying about what the bass and vocals sound like. "I wanted the sound of a tape from '84, but also that AM sunshine '60s radio sound. I love that soul and summer innocence sound. So we combined that with an '80s tape, and put our songs down on top." - Anonymous Expressions - Mary Dickie


"Eye Magazine Review [July 2005]"

Schizophrenic, Canada-centric Dub Squad return with a cross-section of coolie sounds and textures. The disc-opening "Us Alone" offers a melancholy nod to Can's Damo Suzuki, while the oddly-titled "Alpha Flight #12" is a lesson in angry garage rock. The bi-polar, multi-sectioned "Slag" and "Aubrey" then split the difference in epic fashion. Moody instrumental passages are, however, this band's forte -- the trippy "Nishant" is especially hypnotic (and one of few songs not taking sharp lefts at unexpected moments). It's a touch pretentious at times, but the Vulcan Dub Squad's unorthodox grandiosity is still impressive. And the bilingual, Trudeau-adorned CD cover is a nice touch too.
- Just Watch Us - Chris Rolfe


"Globe & Mail Review [July 15, 2005]"

“Every rock band should spend a few hours a week trapped in an elevator. Think of all they would learn about making sounds to catch people's attention. Toronto's Vulcan Dub Squad has done time in the elevators of the mind, shouting, pummelling and sometimes whispering against the fear that no one has yet heard what needs to be said. Aubrey, the central and longest composition of the band's latest CD, assumes that truth is an elusive thing that's better served by a 10-minute medley than a 32-bar song in one style. Instinct counts for a lot when you're veering from lo-fi punk to a kind of tragic strumming along the dream time of life, and VDS's instincts are mostly good. Its seductive, enigmatic album seethes with discontent about an era in which visionaries lack sway and the community of Us Alone finds itself threatened by powerful cabals."
- "Just Watch Us" - Rober-Everett Green


Discography

The New Designers LP 2007
Just Watch Us LP 2005
Sometimes I'm Dreaming EP 2004
This Nation's Saving Face LP 2003
Marathon Of Hope EP 2001
The Vulcan Dub Squad LP 1999
The Vulcan Dub Squad LP 1997

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Bio

When we first approached Ranbir about writing up a biography for The Vulcan Dub Squad, he casually remarked, "Just make it up," adding for effect "But make it good...make it better than the real thing."

We didn't----couldn't really, and instead sat down with Ranbir over a scotch and soda. From the resulting purple prose and reminiscent run-on sentences (which have long become a famous component of their live shows/theatre), we've compiled what we deem to be the most relevant and useful information on this seminal five-piece band from Southern Ontario. Let's go.

The Vulcan Dub Squad...

-comprise of Ranbir Gundu (vocals, guitar), Graham Wilson (guitar), Aaron Foster (guitar), Jameson Banks (bass guitar) and David Croft (drums). Over the past decade they've run the sonic gamut from the ambient instrumental lullabies of their earlier records, their avant-garde/shoegaze and art-rock releases circa. 2000, to finally arrive on their current sound: a Pastiche Pop fusing the earlier elements while drawing on garage/psych and folk strains as well, to blend and blur them all into something new.

-currently release their seventh LP The New Designers, an album inspired by Expo 67 with music that "sounds like architecture." The LP comes on like a meld of LOVE, The Smiths and The Kinks, The Wedding Present and Thor's Hammer (60s legends from Iceland), while at the same time offering transitional coherence reminiscent of 50/60s Bollywood scores.

-visited Habitat 67 during the recording of this LP for documentary footage and on-site audio recordings used on the record.

-have always presented a strong theatrical/visual element in their live shows. They have over the years worn military uniforms, physician attire, Canadian Olympiad inspired Nehru jackets, and now present a mid-50s Gentlemen's Club motif. Adorned in tab-collar shirts with pencil thin ties and casually puffing on pipes while pouring a scotch in recline on vintage chairs, they attempt to conjur the very sense of reflection/historical longing found on 'The New Designers' directly into their stage performances.

-have garnered an enviable cult status in Canada's indie-rock underground having released six albums since their inception in 1997, the last four of which have had strong nationalistic themes. [Marathon of Hope (2002), This Nation's Saving Face (2003), Just Watch Us (2005) and The New Designers (2007)]

It was somewhere around these parts that we attempted to stray from talking about The Vulcans with Ranbir, but before we could, he actually reached over and grabbed one of our arms and flatly stated that he was conceptually taken with notions of creating "legend and legacy" (his words, not ours) for Canadian generations to come, and that The Vulcans try to reflect this in their work, hoping that when future lovers of music happen upon it, they will have found a genuine and intriguing snapshot of Canadian life in these dense times. Sounded good to us, but then---it always has.

* * *

"We are The Stone Roses of our time, but Big Brother has no idea/care what's happenin', so I guess we'll just end up being The Pastels." - Ranbir Gundu