Tony Gallo Group/Project

Tony Gallo, Something To Say

Tony Gallo is a singer out of the male “saloon singer” class who takes a Jazz-pop direction on his debut Record Something To Say, that is a lot of fun. The general sound of his CD owes a lot to Steely Dan whose “Black Cow” gets a letter-perfect copy here. There’s an understated funkiness and sense of play that enhances all the standards Gallo does, but doesn’t overwhelm them. “All Blues” gets a fun arrangement using electric bass, organ, and Gallo’s own harmonica. Horace Silver’s “Song For My Father” is a cool showcase for Gallo’s slick, soulful singing; “St. Thomas” becomes tropical funk with Lucas Pickford’s electric bass leading the parade; and “Mood Indigo” gets a nifty New Orleans second line treatment carried by Steve Rose’s wicked drumming. Gallo and his group prove they can do straight acoustic work as well on “Do Nothin’ Til You From Me” and “My One And Only Love,” handling those songs with traditional romance and class. Tony Gallo is a different animal from all the other faux-Bennetts and Sinatras out there. His music doesn’t sound like an instant museum piece, but modern and lively. He really brings imagination and style to the party.


- Cadence in New York

Sometimes a touch of class is what is needed to keep music interesting. This is decidedly the case with singer Tony Gallo's recording Something To Say, which showcases the smooth vocals of an obvious seasoned performer. Performing in the Boston and New England area, Gallo has a strong tenor to baritone range with the right amount of style that works well within the variety of music he and his flexible band plays. In covering jazz, R&B, and pop covers the selections are given stylish treatments that exude familiarity, yet still pronounce an air of freshness.
Gallo and his band start things off with a cover of Miles Davis “All Blues,” giving the classic instrumental piece a makeover with lyrics and a funky rhythm. Gallo's voice is rich with inflection on Duke Ellington's ”Do Nothing Til You Hear from Me” as he expresses the lyrics with soulful confidence. He reveals a careful study of other great vocal influences such as Nat King Cole, Frank Sinatra, and Ray Charles, with an ability to handle diverse material and engage the listener.
Gallo's band is also impressive; they handle the material with top-notch musicianship that should have listeners tapping their feet or just humming along. Highlights include Cole Porter's ”Night and Day,” which spots some nice rhythm and piano work, and the tight N'awleans horns on ”Ain't Misbehavin'.” Others include the heartfelt “Song for My Father” and “Autumn Leaves,” which both contain slightly Latin-flavored horns and patterns, and a danceable version of Sonny Rollins' “St Thomas,” which is sure to get you moving to its catchy beat.
The strength of Gallo's voice is fully displayed on “My One and Only Love” as each note resonates depth, power, and sheer control. The CD concludes with a fresh take on Steely Dan's ever cool “Black Cow,” which is complete with tight horns, soulful background vocals, and just the right vibe.
- ~ Mark F. Turner, All About Jazz

Innovative interpretation and vocal tones coated in class describe the contents of Tony Gallo’s work. Gallo has a strong tenor to baritone range with the right amount of style that works well within the variety of music he and his flexible band plays. In covering jazz, R&B, and pop covers the selections are given stylish treatments that exude familiarity, yet still pronounce an air of freshness. Along with a group of multifaceted musicians who with every cut compliment the panache of the project, this effort brings one back to that Bourbon Street feel after midnight, very smooth with a clean delivery. Here’s a fresh take on Steely Dan's ever cool “Black Cow,” which is complete with tight horns, soulful background vocals, and just the right vibe.

- Ulrich Vormehr- ESC Records (Germany)