Zahed Sultan

O2 Academy TV caught up with Zahed Sultan in London's vibrant East End to talk beginnings, music, live shows & more. O2 is a leading provider of mobile phones / broadband and is an avid supporter of the arts with a string of music academies across the UK. - O2 Academy TV

O2 Academy TV caught up with Zahed Sultan in London's vibrant East End to talk beginnings, music, live shows & more. O2 is a leading provider of mobile phones / broadband and is an avid supporter of the arts with a string of music academies across the UK. - O2 Academy TV

The Kuwaiti electronic artist uses video and music to tell stories and share experiences - and one of those tales will be told during the Millennium Music Conference at his 11 p.m. concert at Savannah's on Hanna (1000 Hanna St., Harrisburg). - PENN Live

The Kuwaiti electronic artist uses video and music to tell stories and share experiences - and one of those tales will be told during the Millennium Music Conference at his 11 p.m. concert at Savannah's on Hanna (1000 Hanna St., Harrisburg). - PENN Live

East meets West where beer meets art. My Dubai My City were at the hottest party in town in Media One Hotel where artists and musicians got together under one roof showcasing their creativity while entertaining, engaging and inspiring the crowds! Watch snippets of Zahed Sultan's live audio-visual debut here! - My Dubai, My City

Of part-Indian and Kuwaiti descent, Zahed Sultan’s origins have left an unmistakable imprint on his music. In his catalogue of songs, where electronic beats sometimes alternate between Arabic and Hindi rhythms, vocals are occasionally pronounced in his two mother tongues.

Through his music and a social initiative he started called en.v, Sultan has issued a visionary statement to tackle current conditions and issues people face in the Middle East. - Brownbook Magazine

Arab musician Zahed Sultan continues to build upon his unique mix of culture, heritage and art to express himself (and perhaps many of today’s young Arab youth) through his songs. - American Bedu

I’ve always admired musicians who use their talents of singing and producing music to speak their minds about a cause they have a strong belief in. I felt the same admiration upon hearing Zahed Sultans latest release “Like This (ha-ka-tha)”.

The song speaks out to the people of the Arab world who are living in troubled environments plagued with many issues. In a suggestive form Zahed gives his (Arab) people ideas on how they can over come their troubles and be a peaceful and unified society.

The two versus that I felt were most powerful are:

Supporters of aspiration
Throw down your weapons
And embrace your brothers
Like this

Live as equals in the pursuit of righteousness
Holding your heads high
Like this

I really liked how he used classical-spoken Arabic, I felt it made the song more traditional sounding and could help attract listeners young and old.

In the music video there is video footage of high-tension moments taken by protesters with cell phones. I felt that by incorporating the video footage it helped Zahed tell a more effective story to his listeners – not just in his country but also around the world. And gives especially those in the midst of the tyranny a chance to stop and see what they are really doing to each other. Sometimes it takes looking at ourselves in the moment we have done something negative to realize we need to make a positive change. - The East/West Sound

Zahed Sultan est un producteur de musique koweïtien unique. Il mélange astucieusement la musique traditionnelle arabe et la musique électronique occidentale pour un résultat assez étonnant et atypique.

C’est grâce à son premier album, Hi Fear, Lo Fear, sortie en 2011, qu’il a commencé à connaitre le succès. Le titre I Want Her, But I Don’t Want Her a en effet été playlisté dans une des compilations Hotel Costes (numéro 15) et joué un peu partout dans le monde. Il s’est aussi fait connaître grâce à ses remix, toujours très influencés par la culture arabe, notamment celui du DJ britannique Sasha.

Plus récemment, début Juin, il a sorti un EP, Reuse, qui reste dans la même verve que son album et qui a très bien été accueilli par le public.

Quand on lui demande ses influences, hormis les musique arabes, Zahed Sultan cite Radiohead, Gorillaz, Kanye West, Sigur Ros, ou encore le français Nicolas Jaar.

Zahed n’est pas seulement un original dans le monde de la musique, c’est un citoyen engagé pour certaines causes qui ne sont pas forcément les priorités dans son pays. En effet, il est un porte parole des mouvements écologiques du Koweït, ainsi qu’un fervent défenseur des mouvements gays dans les pays arabes. Autant dire que Zahed Sultan est un artiste et un homme surprenant, dont on risque d’entendre parler dans l’avenir. - The Big Daddy Show

'I Want Her But I Don't Want Her' Watch It! - Off Radio

'I Want Her But I Don't Want Her' Watch It! - Off Radio

I’m a big fan of the Hotel Costes music compilation and I found out yesterday that Kuwaiti musician Zahed Sultan has one of his tracks featured on the new Hotel Costes 15 which I think is a very cool accomplishment. - 248am

We travel back -after our relatively recent Iranian adventure- to a Middle East country. Kuwait, this time. The promising Kuwaiti artist Zahed Sultan released his debut album, Hi Fear Lo Love, early last year. It included tracks sung in English and Arabic. I have chosen this Walking Away, a delicate pearl in line with the previous Mexican song. Sentimental, melancholic sounds with tender female voice to make us think about something... or someone. - Around The World

We travel back -after our relatively recent Iranian adventure- to a Middle East country. Kuwait, this time. The promising Kuwaiti artist Zahed Sultan released his debut album, Hi Fear Lo Love, early last year. It included tracks sung in English and Arabic. I have chosen this Walking Away, a delicate pearl in line with the previous Mexican song. Sentimental, melancholic sounds with tender female voice to make us think about something... or someone. - Around The World

Subtle dubtronica made in Kuwait popularised recently by Monsieur Stéphane-Hôtel Costes-Pompougnac. - Shremy's Law

This song is plain fierce. I love it how it’s a cultural mix between modern electronic beats and authentic Arabic sounds and voices. - Everything Screams Fashion

Zahed Sultan, a pioneer in social entrepreneurship and music production in Kuwait, sits with Men’s Passion to describe his goals, passions, and successes in the industry. Having always had a zeal for music, Zahed’s biggest push was when his work was featured on the number 1 show in America, C.S.I, during 2004. Since then, he has had the release of one album, ‘Hi Fear No love,” and plans to make his next two albums public during March and September this year. Zahed has revealed himself to be both an artist and musician, setting the stage to become one of the region’s top music and social-development tycoons.

How did this all begin?

Three years ago, my partner Abdulwahab Al-Ghanim and I launched en.v, an initiative to promote social responsibility in the Arab World. The company includes two divisions- en.v Media, where we can look after online properties and social media sites, allowing people to interact with one another on the same topic, and en.v Programs, where we create non-profit programs. These include the Lebanon Women’s Empowerment Program, Waste Management, and the REUSE event which harbored a great amount of attention.

What about the second element of your career; music?

I like to bring social issues to light through creative sources such as these social development programs or through more artistic mediums such as music. Music for me is the best medium, one that is very close to my heart. Through music, you are able to achieve a global audience allowing your messages to reach out to a greater number of people around the world.

Do you believe this triumph motivated you to take on a career in music?

At first, I focused more on my other companies; I really didn’t think I had the right skills to put my music together, nor the right people to work with as vocalists or composers. My main goal was to take the core of Arabic music, and package it into something the people of our generation could enjoy. My cousin, a successful producer and remixer in New York, was the one who actually gave me that push needed. He told me just go to the studio and do it. So that’s what I did, and fortunately I accomplished everything I had hoped to.

What have you achieved after the release of your first album?

I actually got a few amazing things out of it. I got signed to Hotel Costes in Paris, which includes the largest compilations of music in the world. The most gratifying part was the fact that my songs were the first Arabic songs included, containing underground alternative Kuwaiti music with a sort of street manner. Many blogs since have featured my songs or remixed them, and I constantly receive calls from friends outside who have heard my tracks in the most bizarre countries. Similarly, MTV featured my third track on a site dedicated to emerging global artists (mtviggy.com) and they kept my track there for a whole week. Also, I formed a remix competition in which people from all over the world took parts of my tracks and proposed their own remixed versions; I had 30 submissions but it was downloaded by 1,500 people from 50 countries. It’s definitely a good feeling when you know your name can be recognized globally.

What reactions have you received from your music?

You will have people that love what you do and those that hate it- you just have to have a spine for that. You have to learn to take things with a pinch of salt and look past it, and like they say, ‘any publicity is good publicity’ right?

What are your future plans?

I am coming out with a new track in February with a lot of core-strong ideas in the videos and songs. The tunes are much more alternative and up-beat, and the messages deal with social issues which are discussed on a more subliminal level. When travelling this summer, I wrote songs on relationships, humanity, the environment and other topics. The entire album will be coming out in September/October, while the short album of two tracks and two remixes will come out in March. My goal is to create what I don’t know, to create and be created. I want to leave a mark in music, whether positive or negative, and make it become what you feel more than just what you hear. - Men's Passion

“This album is a narrow portal into my dormant personality. Each track crosses borders and genres - sparking various emotions and feelings in its wake.” Zahed Sultan

Some of us know him from high school, others, maybe, as one of the creative minds behind en.v. Or, maybe even, as part of the duo that brings us the ever-popular, ever-growing REUSE event. Now, we also know him as Zahed Sultan, recording artist. A creative chameleon, in every sense of the word, it seems nothing can stand in the way of his vision(s). From eco-friendly living, to social responsibility and now music, Zahed has proven that all it takes is a little bit of vision and a whole lot of gumption.

How did your musical journey begin?

My interest in music sparked at a very early age. I began to explore this interest at the age of 14 – playing DJ gigs for local parties (mixed as well as segregated) in Kuwait.

What/Who inspires you to write your music and lyrics?

Musically, I have developed (and continue developing) strong connections with everything from raw traditional music to underground sounds that have a cult following.

I am most influenced by producers and artists who have strayed from convention and broken musical boundaries such as Radiohead, UNKLE, Damon Albarn, Kanye West, DJ Sasha, Massive Attack, and Bjork, to name a few.

With my debut album Hi Fear, Lo Love the intention was to challenge the norm.

Is the final sound of a musical track an individual or group effort?

That decision lies entirely in the hands of the track’s “maker.” For me, collaboration is key; working with individuals that are skilled in their art form will only enhance the final output.

Who/What in your early beginnings influenced your music?

Life…in its entirety.

In your opinion, what was the hardest challenge you faced in your musical career so far?

The music industry is highly fragmented today - thanks to a handful of entities that have taken power out of the hands of corporate decision makers and put them in hands of the musicians / artists. It’s a great time to be (or want to be) in music. My hardest challenge is to be able to carve a niche for myself within a massive web of aspiring (and existing) talent – using the tools that are available to me.

How has the Middle Eastern world reacted to your sound?

The jury is still out on that (in my eyes). Feedback, in all its forms, encourages you to be honest with yourself and search deep within you to find the words, melodies, beats, and more that are a true expression of who you are in a given period of time that will best resonate with your intended audience(s).

Do you feel that music should always serve a specific purpose?

No. Music is the universal language that is open to interpretation by the listener – that’s the beauty of it.

What are some of your favorite tracks, and why?

This very minute? Haha… I’m constantly searching for inspiring, daring music in the most obvious and obscure places. My favorite up and coming / recently discovered artist is Santiago / New York based “Nicolas Jaar”.

What is your dream performance space and destination?

Royal Albert Hall, London, England (It will happen!).

What would you like to accomplish in the future?

Too much to fit into a single lifetime! Simply put, to continue to have the ability and opportunity to create – in all its wondrous and interactive forms.

Will Zahed be performing live in Kuwait? (perhaps at REUSE 5.0)

I’m in the process of planning the formation of a band. I’m hoping by late 2012 / early 2013 we can go live with a sensory / experiential “live show.” If I get governmental permission to do so is another story! - Bazaar Magazine

Zahed Sultan is a “Social Entrepreneur” with a dynamic portfolio of creative ventures. Through mediums such as music, film, online, print, & more, Zahed strives to inspire differentiation in others and pushes the envelope on pre-conceived routes to achievement. Branching from interesting parentage,(An Indian mother and a Kuwaiti father), Zahed Sultan’s musical taste is eclectic and a stray away from conventional music. His success in music dates back to 2004 when world-renowned house music label Global Underground and DJ Sasha awarded Zahed 3rd place for the Involver Remix Competition. Zahed’s music was later signed alongside DJ Sasha to America’s no.1 TV hit series CSI: Crime Scene Investigation – Season 4. Khaleejesque got together with this inspiring Kuwaiti Music Artist and discussed his musical stint so far.

What sparked your interest in music?

Since childhood, music has always played a pivotal role in my life – for no justifiable reason. In essence, the power of music to do so much by saying so little is what draws me to it as a medium.

How did you break through in the field of music?

I have a long road ahead before I break into music – as an industry. I keep reminding myself that creating a name for yourself in music is like establishing a new company – it doesn’t happen overnight. But, by etching a sound and presence that is uniquely my own, tactfully building a global following and then re- engaging them with interactive content, I am confident that I can make it in the foreseeable future.

Why did you choose to spread your music online as opposed to the traditional channels of distribution?

Through early 2011, a handful of Arab countries have successfully lead revolutions to better their livelihood through social media / an online presence – the least I could do is attempt to do the same (within the context of music that is).

How effective was this non-conventional social media usage to spread your music?

The advent of social media and e-platforms has put a wealth of capabilities in users’ hands. Over the next 6 months, I will be categorically launching user-driven marketing and promotions activities (online) to build and engage a global following. The e-platforms I have chosen to utilize, equip me with tools and analytics to measure the effectiveness of my activities (ie. This insight guides me as to what I’m doing right and wrong so I can adapt accordingly). Its a meticulous, detailed oriented journey that requires dedication and a trustworthy team to go the distance. To date though, I’m yielding promising results.

What has been your greatest accomplishment in the music field so far?

In late 2004, I entered a remix competition in LA and won 3rd place. The competition was organized by world renowned house music record label Global Underground and an A-list DJ, Sasha. Sasha’s manager later went on to sign my music alongside Sasha’s to the no.1 TV show in America Crime Scene Investigation (CSI), Season 4, 4 × 4 Episode.

What’s in the future for Zahed Sultan?

Interactive Visual Music (I’ll leave the rest to your imagination..) - Khaleejesque

What if breakups were set to the tune of all things electro? Zahed Sultan, a producer from Kuwait, has the solution. “Walkin Away” from Hi Fear, Lo Love elicits emotions with meaningful, tear-jerking lyrics, bright production and kaleidoscopic camera shots of memorabilia from relationships past. Grab a tissue! - MTV Iggy

Already an award winning remixer, Kuwaiti's Zahed Sultan counts the likes of Gorillaz and Sigur Ros as key influences. While the latter might not be so audible in this selection of cuts, Sultan's cross-cultural, ambitious musical play does evoke a certain Albarnian quality.

Aspiring for his sound to permeate consciousnesses, and appeal to today's community of change-makers, Zahed conjures up two original tracks and two intricately woven remixes too. The Reuse Me EP is also interestingly released in conjunction with Sultan's own environmental project, an annual expo he holds in Kuwait that generates awareness of environmental issues via creative means. - Whisperin & Hollerin

In his second music video “I Want Her But I Don’t Want Her,” Zahed delves deeper into his creative psyche to explore a dark fantastical world where art meets life. Shot in High Definition and layered with animated sketches, Zahed playfully grooves on screen to a sound that is uniquely his own. - Loft965

“The command of music to do so much by saying so little is what draws me to it as a medium” says Zahed. “By etching a sound and presence that is uniquely my own, I am confident that I can carve a niche for myself in the days to come.” - ChukNum

Zahed Sultan is one of the most visible musicians in the Arab world. Not only does he enjoy a massive following on regional social networks, but he is also internationally recognized. One of his tracks was included in the Hotel Costes 15 compilation released on Sept. 26th 2011 and another was featured on CSI: Crime Scene Investigation – Season 5, Episode #519 “4×4.”

Sultan uses both Arabic and English lyrics and his style comprises a fusion between alternative and electronica music that have appeal across a variety of social stratums. But here is the most exciting and inspiring about the artist and social entrepreneur: his latest track Reuse Me is designed to draw awareness to environmental issues!

Inspired by Radiohead, The Gorillaz, Kanye West, and others, Sultan strives to create a unique sound that will distinguish him from the crowd. And he relies heavily on social networking sites to promote his message of peace, productivity, and the preservation of natural resources.

Reuse me is a scratchy track that obliquely emphasizes the need to reuse materials instead of trashing them unthinkingly. Both the chorus and the flashing vintage images on the music video are mesmerizing, but given my limited hearing, I’m uncertain how recognizable the song’s eco-slant will be to the uninitiated environmentalist.

Sultan has released his new EP to coincide with his annual exposition held in Kuwait every year to promote environmentally-conscious living in the oil-rich Gulf country.

Visit Zahed Sultan’s YouTube page to listen to both original tracks and remixes, and sign up for his newsletter in order to get a free download of his Reuse Me wallpaper. - Green Prophet

Zahed Sultan is one of the most visible musicians in the Arab world. Not only does he enjoy a massive following on regional social networks, but he is also internationally recognized. One of his tracks was included in the Hotel Costes 15 compilation released on Sept. 26th 2011 and another was featured on CSI: Crime Scene Investigation – Season 5, Episode #519 “4×4.”

Sultan uses both Arabic and English lyrics and his style comprises a fusion between alternative and electronica music that have appeal across a variety of social stratums. But here is the most exciting and inspiring about the artist and social entrepreneur: his latest track Reuse Me is designed to draw awareness to environmental issues!

Inspired by Radiohead, The Gorillaz, Kanye West, and others, Sultan strives to create a unique sound that will distinguish him from the crowd. And he relies heavily on social networking sites to promote his message of peace, productivity, and the preservation of natural resources.

Reuse me is a scratchy track that obliquely emphasizes the need to reuse materials instead of trashing them unthinkingly. Both the chorus and the flashing vintage images on the music video are mesmerizing, but given my limited hearing, I’m uncertain how recognizable the song’s eco-slant will be to the uninitiated environmentalist.

Sultan has released his new EP to coincide with his annual exposition held in Kuwait every year to promote environmentally-conscious living in the oil-rich Gulf country.

Visit Zahed Sultan’s YouTube page to listen to both original tracks and remixes, and sign up for his newsletter in order to get a free download of his Reuse Me wallpaper. - Green Prophet

Since producing his company en.v, an organization to promote social responsibility in the Arab world, his music has since become another personal outlet for the ultra talented Zahed to express his feelings on our worlds social issues.

There’s a clear sense of diversity in this new track with Zahed capabilities in languages as well as the differentiation in sound. Both the quietly but deeply poetic English and Arabic vocals nesting in an alternative electronica beat scattered with a DJ scratch interlude, a truly original mix much like the artist.

The track contains messages about our countries social changes expressing the idea of ‘re-use’ in the context of being eco friendly, with the quiet English vocals repeating the lyrics ‘Reuse Me, Abuse Me, Confuse Me, Misuse Me’, and Arabic lyrics at the end of the track centering around our human mistakes. All reeking in a heavy Crystal Castles stench,where eerie vocals always meet a heavily driven sound effect.

The music producer and social entrepreneur from Kuwait is said to be releasing the track in conjunction with the annual exposition he holds in Kuwait titled REUSE, another non-profit opportunity for organizations, companies, professionals and creative talents in all fields of artistic medium to showcase their accomplishments in social responsibility and sustainability.

Although this track is not the type of track to hit the ground running in-terms of a mainstream sound, but its one produced by a really enthusiastic artist with the ability to mix sound uniquely to create an east meets west Gorrilaz meets Radiohead take on social climate, that makes you want to delve further into his archive. This definitely one to keep an eye on for some truly raw material. - Vulture Hound

Since producing his company en.v, an organization to promote social responsibility in the Arab world, his music has since become another personal outlet for the ultra talented Zahed to express his feelings on our worlds social issues.

There’s a clear sense of diversity in this new track with Zahed capabilities in languages as well as the differentiation in sound. Both the quietly but deeply poetic English and Arabic vocals nesting in an alternative electronica beat scattered with a DJ scratch interlude, a truly original mix much like the artist.

The track contains messages about our countries social changes expressing the idea of ‘re-use’ in the context of being eco friendly, with the quiet English vocals repeating the lyrics ‘Reuse Me, Abuse Me, Confuse Me, Misuse Me’, and Arabic lyrics at the end of the track centering around our human mistakes. All reeking in a heavy Crystal Castles stench,where eerie vocals always meet a heavily driven sound effect.

The music producer and social entrepreneur from Kuwait is said to be releasing the track in conjunction with the annual exposition he holds in Kuwait titled REUSE, another non-profit opportunity for organizations, companies, professionals and creative talents in all fields of artistic medium to showcase their accomplishments in social responsibility and sustainability.

Although this track is not the type of track to hit the ground running in-terms of a mainstream sound, but its one produced by a really enthusiastic artist with the ability to mix sound uniquely to create an east meets west Gorrilaz meets Radiohead take on social climate, that makes you want to delve further into his archive. This definitely one to keep an eye on for some truly raw material. - Vulture Hound

Music producer and social entrepreneur Zahed Sultan fuses influences in alternative and electronica music with vocals in both English and Arabic. We caught up with Zahed to find out more about his Reuse Me EP and what's important to him.

Tell us a bit about your single 'Reuse Me' - what can we expect?

Through my latest single, I delve deeper into uncharted territory – fusing influences in alternative / electronica music with tantalising vocals in both English and Arabic to express ever-growing concerns for environmental misconduct around the world.

“Reuse Me” amalgamates inspiration(s) from the likes of Radiohead, Kanye West and The Gorillaz – aspiring for my sound to seep through crevices and appeal to today’s community of change-makers.

The single is taken from your EP of the same name - is the track representative of your EP as a whole?

Yes and no. Yes in that by nature all four tracks (two original songs and two remixes) are experimental / alternative. No in that stylistically / creatively each track sits in a different plain, thus appealing to a diverse range of listeners.

Creatively, what are you most proud of about the EP?

I am most proud of the technicalities / layers in the final arrangements of all four tracks - not to mention debuting my vocal abilities for the first time in both English and Arabic.

"At certain intervals I felt like I was a droid stuck in limbo – attempting to find my groove between the cut copy paste record re-record madness of it all. Finding harmony in repetition is a feat within itself."

What was it like to record?

Recording my new EP was an intense yet gratifying experience. At certain intervals I felt like I was a droid stuck in limbo – attempting to find my groove between the cut copy paste record re-record madness of it all. Finding harmony in repetition is a feat within itself.

The EP is released in conjunction with an exhibition you hold in Kuwait to promote eco-friendly living - tell us a bit more about that...
REUSE is an annual exposition that serves as an opportunity for non-profit organisations, companies, professionals and aspiring creative talents to showcase their accomplishments in the fields of social responsibility and sustainability via a range of artistic mediums and interactive activities for the general public.

REUSE’s organic growth over the recent years has led it to be positioned as Kuwait’s premier creative exposition for sustainable (eco-friendly) thought; Serving as an interactive means for dialogue and action amongst the private sector, public sector and civil society.

You can learn more about REUSE at www.projectreuseme.com

What other causes are important to you?

Several years ago, I founded and manage an organisation dedicated to social responsibility in the Arab World entitled “en.v.” en.v, through a multi-faceted approach, seeks to further and support the research and development of individuals and organisations in the fields of education, environment, and culture.

You can learn more about en.v at www.envearth.com

So, when did you first realise you had musical talent?

My relationship with music started as far back as I can remember. I began to explore music as a budding hobby at age 14 as the local DJ for mixed as well as segregated parties in Kuwait!

What have been your biggest life lessons?

Patience is the only true virtue.

Finish the sentence: You wouldn't know it, but I'm very good at...
I’ll leave the response to your imagination!

I'm not very good at...
Not being myself.

When the phone rings, who do you hope is calling?

Damon Albarn of the Gorillaz expressing his interest in producing my next album!

Anything to add?

Stay tuned for the second single / music video from the Reuse Me – EP entitled 'Like This (ha-ka-tha)'. This track is expressive of the social frustrations that exist today in the Arab world.

I am currently working on a format to perform live, which I should be kickstarting by late summer 2012. And, by year’s end, expect a monstrous sophomore album if all pieces of the puzzle take shape as is in my head! - Gaydar Radio

Music producer and social entrepreneur Zahed Sultan fuses influences in alternative and electronica music with vocals in both English and Arabic. We caught up with Zahed to find out more about his Reuse Me EP and what's important to him.

Tell us a bit about your single 'Reuse Me' - what can we expect?

Through my latest single, I delve deeper into uncharted territory – fusing influences in alternative / electronica music with tantalising vocals in both English and Arabic to express ever-growing concerns for environmental misconduct around the world.

“Reuse Me” amalgamates inspiration(s) from the likes of Radiohead, Kanye West and The Gorillaz – aspiring for my sound to seep through crevices and appeal to today’s community of change-makers.

The single is taken from your EP of the same name - is the track representative of your EP as a whole?

Yes and no. Yes in that by nature all four tracks (two original songs and two remixes) are experimental / alternative. No in that stylistically / creatively each track sits in a different plain, thus appealing to a diverse range of listeners.

Creatively, what are you most proud of about the EP?

I am most proud of the technicalities / layers in the final arrangements of all four tracks - not to mention debuting my vocal abilities for the first time in both English and Arabic.

"At certain intervals I felt like I was a droid stuck in limbo – attempting to find my groove between the cut copy paste record re-record madness of it all. Finding harmony in repetition is a feat within itself."

What was it like to record?

Recording my new EP was an intense yet gratifying experience. At certain intervals I felt like I was a droid stuck in limbo – attempting to find my groove between the cut copy paste record re-record madness of it all. Finding harmony in repetition is a feat within itself.

The EP is released in conjunction with an exhibition you hold in Kuwait to promote eco-friendly living - tell us a bit more about that...
REUSE is an annual exposition that serves as an opportunity for non-profit organisations, companies, professionals and aspiring creative talents to showcase their accomplishments in the fields of social responsibility and sustainability via a range of artistic mediums and interactive activities for the general public.

REUSE’s organic growth over the recent years has led it to be positioned as Kuwait’s premier creative exposition for sustainable (eco-friendly) thought; Serving as an interactive means for dialogue and action amongst the private sector, public sector and civil society.

You can learn more about REUSE at www.projectreuseme.com

What other causes are important to you?

Several years ago, I founded and manage an organisation dedicated to social responsibility in the Arab World entitled “en.v.” en.v, through a multi-faceted approach, seeks to further and support the research and development of individuals and organisations in the fields of education, environment, and culture.

You can learn more about en.v at www.envearth.com

So, when did you first realise you had musical talent?

My relationship with music started as far back as I can remember. I began to explore music as a budding hobby at age 14 as the local DJ for mixed as well as segregated parties in Kuwait!

What have been your biggest life lessons?

Patience is the only true virtue.

Finish the sentence: You wouldn't know it, but I'm very good at...
I’ll leave the response to your imagination!

I'm not very good at...
Not being myself.

When the phone rings, who do you hope is calling?

Damon Albarn of the Gorillaz expressing his interest in producing my next album!

Anything to add?

Stay tuned for the second single / music video from the Reuse Me – EP entitled 'Like This (ha-ka-tha)'. This track is expressive of the social frustrations that exist today in the Arab world.

I am currently working on a format to perform live, which I should be kickstarting by late summer 2012. And, by year’s end, expect a monstrous sophomore album if all pieces of the puzzle take shape as is in my head! - Gaydar Radio

When we think about it, we are pretty sure we have never heard music from Kuwait before in our lives. In fact, sadly, noteworthy music from that part of the world is fairly rare. We are therefore very excited to introduce Zahed Sultan to you.

What strikes you immediately upon listening to Reuse Me EP for the first time is the impressive manner in which Sultan succeeds in blending the musical tones of his homeland with his own brand of electronic pop. This is in evidence in the Arabic-language breakdown half-way through title track ‘Reuse Me’, a slice of musical brilliance in which Sultan invites the listener to ‘Reuse me / Abuse me’. Vocally, Sultan displays shades of the higher register typical of groups such as Air and Sigur Rós. This lends a laid-back vibe to the track.

The oriental flavour intensifies on Track 2, ‘Like This (Ha-Ka-Tha)’, which begins with an exclamation in Arabic before a souk-inspired rolling drum leads us into an organ-based synth. The track never loses its explicitly Middle Eastern bent yet Sultan’s talent for fusing that angle with killer instrumentation and production really shines on this particular number.

The remaining two tracks on the EP are remixes of ‘Reuse Me’ and ‘Like This (Ha-Ka-Tha)’, both of which are perfectly listenable. As is often the risk with remixes, they can register simply as extended versions of the original track. To a degree, that applies to the remixes on offer in the second half of this EP. However, where the Zahed’s Lost Love Mix of ‘Like This (Ha-Ka-Tha)’ differs from the original version is that it builds up to a thrilling ‘Born Slippy’-esque mid-90s dance breakdown towards the end. It possibly detracts momentarily from the Kuwaiti spice of the track but it’s impressive nonetheless. The Zahed’s Big Love Mix of the title track makes it somewhat edgier without changing it significantly and that in itself is an achievement.

Overall, Zahed Sultan is one of the most exciting emerging artists to have crossed our desk at So So Gay for some time. This is not down merely to his geographical origin. What hits you at full force when hearing Reuse Me EP for the first time is that this is a superbly-crafted extended play of ethno-infused electronica which deserves to be celebrated. - So So Gay

When we think about it, we are pretty sure we have never heard music from Kuwait before in our lives. In fact, sadly, noteworthy music from that part of the world is fairly rare. We are therefore very excited to introduce Zahed Sultan to you.

What strikes you immediately upon listening to Reuse Me EP for the first time is the impressive manner in which Sultan succeeds in blending the musical tones of his homeland with his own brand of electronic pop. This is in evidence in the Arabic-language breakdown half-way through title track ‘Reuse Me’, a slice of musical brilliance in which Sultan invites the listener to ‘Reuse me / Abuse me’. Vocally, Sultan displays shades of the higher register typical of groups such as Air and Sigur Rós. This lends a laid-back vibe to the track.

The oriental flavour intensifies on Track 2, ‘Like This (Ha-Ka-Tha)’, which begins with an exclamation in Arabic before a souk-inspired rolling drum leads us into an organ-based synth. The track never loses its explicitly Middle Eastern bent yet Sultan’s talent for fusing that angle with killer instrumentation and production really shines on this particular number.

The remaining two tracks on the EP are remixes of ‘Reuse Me’ and ‘Like This (Ha-Ka-Tha)’, both of which are perfectly listenable. As is often the risk with remixes, they can register simply as extended versions of the original track. To a degree, that applies to the remixes on offer in the second half of this EP. However, where the Zahed’s Lost Love Mix of ‘Like This (Ha-Ka-Tha)’ differs from the original version is that it builds up to a thrilling ‘Born Slippy’-esque mid-90s dance breakdown towards the end. It possibly detracts momentarily from the Kuwaiti spice of the track but it’s impressive nonetheless. The Zahed’s Big Love Mix of the title track makes it somewhat edgier without changing it significantly and that in itself is an achievement.

Overall, Zahed Sultan is one of the most exciting emerging artists to have crossed our desk at So So Gay for some time. This is not down merely to his geographical origin. What hits you at full force when hearing Reuse Me EP for the first time is that this is a superbly-crafted extended play of ethno-infused electronica which deserves to be celebrated. - So So Gay

This sweet sound collage creeps up on you, the unsuspecting listener, and plants a shimmering sonic kiss on your earlobes. The title track is put up front, then deftly mixed twice introducing subtle swathes of keyboards and vocal samples in a unique and head spinning brew.

Second track (of 4) Like This (ha-ka-tha) reminds this writer of Global Underground and ADF (ace agit-prop band from the 1990's and composers of Free Saptal Ram), although it is slightly limited in its scope, painting only a vaguely diverting palette of found and used sounds, its beats falling foul of being repetitive and too undemanding.

Zahed released his debut LP in 2011, called 'Hi Fear, Lo Love' and has featured on various worldwide mix compilations, including a remix for CSI in the US - wonders never cease. Unlike that series, this is not genre - specific and all the better for it.

The beats on 'Reuse Me' float in on an uplifting breeze of bouncy keys and gossamer light vocals, held in place by a deep bass line, taken to another, still deeper level on the 'big love' and 'lost love' remixes : the voice is disconnected, floating free, the feel more hypnotic, a late night excursion into uncharted territory. Pity about the main vocal when it kicks in, as it is slight and unmemorable with the message becoming lost in the mix a little.

The title conceals a double meaning - Zahed runs an annual exposition in Kuwait which promotes eco-friendly living via creative mediums. More power to him. He gets my vote on both counts for using his imagination and persevering in this crowded music marketplace.

Take a trip into his headspace and you may just leave enlightened and enlivened. - Music Muso

This sweet sound collage creeps up on you, the unsuspecting listener, and plants a shimmering sonic kiss on your earlobes. The title track is put up front, then deftly mixed twice introducing subtle swathes of keyboards and vocal samples in a unique and head spinning brew.

Second track (of 4) Like This (ha-ka-tha) reminds this writer of Global Underground and ADF (ace agit-prop band from the 1990's and composers of Free Saptal Ram), although it is slightly limited in its scope, painting only a vaguely diverting palette of found and used sounds, its beats falling foul of being repetitive and too undemanding.

Zahed released his debut LP in 2011, called 'Hi Fear, Lo Love' and has featured on various worldwide mix compilations, including a remix for CSI in the US - wonders never cease. Unlike that series, this is not genre - specific and all the better for it.

The beats on 'Reuse Me' float in on an uplifting breeze of bouncy keys and gossamer light vocals, held in place by a deep bass line, taken to another, still deeper level on the 'big love' and 'lost love' remixes : the voice is disconnected, floating free, the feel more hypnotic, a late night excursion into uncharted territory. Pity about the main vocal when it kicks in, as it is slight and unmemorable with the message becoming lost in the mix a little.

The title conceals a double meaning - Zahed runs an annual exposition in Kuwait which promotes eco-friendly living via creative mediums. More power to him. He gets my vote on both counts for using his imagination and persevering in this crowded music marketplace.

Take a trip into his headspace and you may just leave enlightened and enlivened. - Music Muso

The world music genre is a strange beast. It usually comes pre-packaged with beats and a dancey mood and Zahed Sultan’s EP is not an exception. ‘Reuse Me’ is chilled down, relaxed and catchy, a strong song by its own. ‘Like this (ha-ka-tha)’ goes for the groovy sunshine coasts of dub and reggae (a little political there, too). This is the one to crank your stereo up. Real hard. If you can hear the wind whistling, you’ve failed and your family should disinherit you. The ‘Reuse Me’ mix doesn’t do it for me, but it is a logical continuation of the dub foxhole Zahed has dug, one he crawls out with ‘Like this’, full of glitchy bits that break your chillaxing ways. 3 out of 4, not bad. - Sloucher

The world music genre is a strange beast. It usually comes pre-packaged with beats and a dancey mood and Zahed Sultan’s EP is not an exception. ‘Reuse Me’ is chilled down, relaxed and catchy, a strong song by its own. ‘Like this (ha-ka-tha)’ goes for the groovy sunshine coasts of dub and reggae (a little political there, too). This is the one to crank your stereo up. Real hard. If you can hear the wind whistling, you’ve failed and your family should disinherit you. The ‘Reuse Me’ mix doesn’t do it for me, but it is a logical continuation of the dub foxhole Zahed has dug, one he crawls out with ‘Like this’, full of glitchy bits that break your chillaxing ways. 3 out of 4, not bad. - Sloucher

I left the hessian sleeve of Zahed Sultan’s EP ‘Reuse Me’, until the last, (of my first three reviews for Call Upon The Author) as it intrigued me the most, especially as the press release contains more name drops than a conversation with Tom Jones.

The EP consists of the tracks Reuse Me & Like This (ha-ka-tha) and their subsequent ‘Big Love’ & ‘Lost love’ remixes respectively.

The track opens with scratched vocal, and quirky drum loops, which is complimented the softer voice of Zahed.The electronica sound merges into ambience with little effort, with the remix focusing on a faster drum loop, with a nice slice of dub thrown in towards the end.

The second track on my first listen, sounded a little like an Egyptian remix of Monster Mash! However upon further inspection it is much deeper than that. Sang in both English & Arabic, it is politically charged, and quite apt with the trouble in Syria & Egypt at the moment.

The Lost Love remix, starts fairly similar to the structure of the original, but the vocal samples are interestingly reversed. About halfway in, an ‘Underworld like’ stomping drum beat surprisingly appears and brings it alive, picking up pace until it signs off with just the thump of the loop.

The first listen I wasn’t keen at all, but after persevering it turns out to be quite a solid effort from Zahed Sultan, especially the second mix. - Call Upon The Author

I left the hessian sleeve of Zahed Sultan’s EP ‘Reuse Me’, until the last, (of my first three reviews for Call Upon The Author) as it intrigued me the most, especially as the press release contains more name drops than a conversation with Tom Jones.

The EP consists of the tracks Reuse Me & Like This (ha-ka-tha) and their subsequent ‘Big Love’ & ‘Lost love’ remixes respectively.

The track opens with scratched vocal, and quirky drum loops, which is complimented the softer voice of Zahed.The electronica sound merges into ambience with little effort, with the remix focusing on a faster drum loop, with a nice slice of dub thrown in towards the end.

The second track on my first listen, sounded a little like an Egyptian remix of Monster Mash! However upon further inspection it is much deeper than that. Sang in both English & Arabic, it is politically charged, and quite apt with the trouble in Syria & Egypt at the moment.

The Lost Love remix, starts fairly similar to the structure of the original, but the vocal samples are interestingly reversed. About halfway in, an ‘Underworld like’ stomping drum beat surprisingly appears and brings it alive, picking up pace until it signs off with just the thump of the loop.

The first listen I wasn’t keen at all, but after persevering it turns out to be quite a solid effort from Zahed Sultan, especially the second mix. - Call Upon The Author

Packaged in roughly constructed hessian cover and obviously second hand inner sleeve, I was immediately endeared to this eco offering, despite press strap lines which left me wary that this was yet another in recent rash of rather anodyne electronica, reinforced by initial reaction to what sounded like annoyingly trite, twee vocal, on title track ‘Reuse Me’. However, increasingly intriguing, underlying sounds and effects, in contradictory contrast to la di da vocal and tinkling telly tubby triangle, deep dubby off beat bass, beeps, bounces, rat a tat percussion, cut up staccato yelps, morphing into eastern mysticism, drew my ear, recycled scraps unexpectedly melding into mosaic of shining shards, which manages to construct a clever aural delight of musically mixed metaphors. ‘Like This’ with its delicious dubby funky bass, ankle bell shakes, tabla taps, claps, clicks, clacks, scrapes and War of the World commentary, in style of Deepak Chopra (whose chocolate tone I love from ‘Desire’) drew me in deeper, until resistance was impossible.

Both songs have a Big Love remix, which shimmers them with echo, sucks them through gravity bending vortex, like freak show mirrors, intriguing for a moment but after a while a bit predictable, except when, half way through the ‘Like This’ remix, it takes a harder turn into more hard core dance territory which re-grabbing my attention demonstrates versatility of this artist, his universal ear and infinite avenues still to be explored. - Mudkiss Fanzine

Packaged in roughly constructed hessian cover and obviously second hand inner sleeve, I was immediately endeared to this eco offering, despite press strap lines which left me wary that this was yet another in recent rash of rather anodyne electronica, reinforced by initial reaction to what sounded like annoyingly trite, twee vocal, on title track ‘Reuse Me’. However, increasingly intriguing, underlying sounds and effects, in contradictory contrast to la di da vocal and tinkling telly tubby triangle, deep dubby off beat bass, beeps, bounces, rat a tat percussion, cut up staccato yelps, morphing into eastern mysticism, drew my ear, recycled scraps unexpectedly melding into mosaic of shining shards, which manages to construct a clever aural delight of musically mixed metaphors. ‘Like This’ with its delicious dubby funky bass, ankle bell shakes, tabla taps, claps, clicks, clacks, scrapes and War of the World commentary, in style of Deepak Chopra (whose chocolate tone I love from ‘Desire’) drew me in deeper, until resistance was impossible.

Both songs have a Big Love remix, which shimmers them with echo, sucks them through gravity bending vortex, like freak show mirrors, intriguing for a moment but after a while a bit predictable, except when, half way through the ‘Like This’ remix, it takes a harder turn into more hard core dance territory which re-grabbing my attention demonstrates versatility of this artist, his universal ear and infinite avenues still to be explored. - Mudkiss Fanzine

"Reuse Me" sings Zahed Sultan on his latest EP release, the similarly titled Reuse Me. The fact that the EP arrived encased in a hessian sleeve, was an indication that this was going to be a little bit different. Infact based on this outing, Zahed Sultan adds a huge element of intrigue into what he is offering.

Opening track Reuse Me begins with scratched vocals to which Zahed softly sings over as the sampled drum-pattern patters away beneath, with the odd click / bleep thrown in at opportune moments. Reuse Me's basis in in electronica, but there are enough mellow moments to push the track into ambient zones. However, rather than forcefully pushing a message, Reuse Me is more of a faint cry of recycled elements rather than anything more solid, despite the subtle hooks that remain afterwards.

Second track Like This (ha-ka-tha) mixes Arabic and English language vocals in a most interesting way. The Arabic vocals in particular are, to an ear more attuned to English, peculiar in their oration and feel strangely reminiscent of the vocal style utilised on the Dreadzone Second Light album. In terms of the English spoken passage, it is political in its message and is extremely apt for all the differing political upheavals that are occurring in countries such as Egypt and Syria. The beat behind Like This (ha-ka-tha) is sampled in a westernised reference point as sleigh bells and bongo drums, although presumably are traditional Arabic instruments. However, this again references that ambient nature of Zahed Sultan’s work with a little nod to the mid nineties representation of dub-electronica.

The other two tracks on the EP are Zahed's Big Love Mix of Reuse Me and Zahed's Lost Love Mix of Like This. The Reuse Me mix is less vocal and more drum pattern driven, whilst the Like This mix is incredibly ambient as sampled (reversed?) lyrics repeat in the background, until eventually a drum beat permeates the piece, pushing the track into an Underworld referenced banging drum moment.

Although Zahed Sultan makes an unlikely bedfellow on the Grumpyrocker site, there is something beguiling about his music that warrants a closer inspection. This is enhanced no doubt by REUSE also being:-

"An annual exposition Zahed holds in Kuwait, entitled REUSE, to promote eco-friendly living via creative mediums. REUSE is an annual exposition that serves as an opportunity for non-profit organizations, companies, professionals and aspiring creative talents to showcase their accomplishments in the fields of social responsibility and sustainability via a range of artistic mediums and interactive activities for the general public."

And whilst the single track Reuse Me is a little light in terms of content, there is enough depth via Like This (ha-ka-tha) to draw an interested ambient electro crowd in. - Grumpy Rocker

"Reuse Me" sings Zahed Sultan on his latest EP release, the similarly titled Reuse Me. The fact that the EP arrived encased in a hessian sleeve, was an indication that this was going to be a little bit different. Infact based on this outing, Zahed Sultan adds a huge element of intrigue into what he is offering.

Opening track Reuse Me begins with scratched vocals to which Zahed softly sings over as the sampled drum-pattern patters away beneath, with the odd click / bleep thrown in at opportune moments. Reuse Me's basis in in electronica, but there are enough mellow moments to push the track into ambient zones. However, rather than forcefully pushing a message, Reuse Me is more of a faint cry of recycled elements rather than anything more solid, despite the subtle hooks that remain afterwards.

Second track Like This (ha-ka-tha) mixes Arabic and English language vocals in a most interesting way. The Arabic vocals in particular are, to an ear more attuned to English, peculiar in their oration and feel strangely reminiscent of the vocal style utilised on the Dreadzone Second Light album. In terms of the English spoken passage, it is political in its message and is extremely apt for all the differing political upheavals that are occurring in countries such as Egypt and Syria. The beat behind Like This (ha-ka-tha) is sampled in a westernised reference point as sleigh bells and bongo drums, although presumably are traditional Arabic instruments. However, this again references that ambient nature of Zahed Sultan’s work with a little nod to the mid nineties representation of dub-electronica.

The other two tracks on the EP are Zahed's Big Love Mix of Reuse Me and Zahed's Lost Love Mix of Like This. The Reuse Me mix is less vocal and more drum pattern driven, whilst the Like This mix is incredibly ambient as sampled (reversed?) lyrics repeat in the background, until eventually a drum beat permeates the piece, pushing the track into an Underworld referenced banging drum moment.

Although Zahed Sultan makes an unlikely bedfellow on the Grumpyrocker site, there is something beguiling about his music that warrants a closer inspection. This is enhanced no doubt by REUSE also being:-

"An annual exposition Zahed holds in Kuwait, entitled REUSE, to promote eco-friendly living via creative mediums. REUSE is an annual exposition that serves as an opportunity for non-profit organizations, companies, professionals and aspiring creative talents to showcase their accomplishments in the fields of social responsibility and sustainability via a range of artistic mediums and interactive activities for the general public."

And whilst the single track Reuse Me is a little light in terms of content, there is enough depth via Like This (ha-ka-tha) to draw an interested ambient electro crowd in. - Grumpy Rocker

Zahed Sultan – Reuse Me EP
Released on Mouse Music – May 28th

Zahed Sultan announces the release of his new record, Reuse Me – EP, as well as a new music video for the title track Reuse Me. Through his new body of work, Zahed delves deeper into uncharted territory – fusing influences in alternative / electronica music with feather-light vocals in both English and Arabic. Zahed debuts his vocal talents in both languages via this EP to express his ever-growing concerns for social change around the world.

Sultan released his debut album, Hi Fear, Lo Love in 2011 and attained success with his single, I Want Her But I Don’t Want Her. Parisian DJ, Stephane Pompougnac, featured the single on the internationally acclaimed Hotel Costes 15 compilation. Prior to this, world-renowned house music label Global Underground and DJ Sasha awarded Zahed 3rd place for the Involver Remix Competition. Zahed’s Remix was later signed alongside DJ Sasha to America’s no.1 TV hit series CSI: Crime Scene Investigation.

Aspiring for his sound to permeate consciousnesses, and appeal to today’s community of change-makers, Zahed conjures up two original tracks and two intricately woven remixes too – drawing on inspiration from the likes of Radiohead, Gorillaz, Kanye West, Sigur Ros, and Nicolas Jaar.

Zahed releases his new EP in conjunction with an annual exposition he holds in Kuwait, entitled REUSE, to promote eco-friendly living via creative mediums. REUSE is an annual exposition that serves as an opportunity for non-profit organizations, companies, professionals and aspiring creative talents to showcase their accomplishments in the fields of social responsibility and sustainability via a range of artistic mediums and interactive activities for the general public. (www.projectreuseme.com). - UK Flow Mag

Zahed Sultan – Reuse Me EP
Released on Mouse Music – May 28th

Zahed Sultan announces the release of his new record, Reuse Me – EP, as well as a new music video for the title track Reuse Me. Through his new body of work, Zahed delves deeper into uncharted territory – fusing influences in alternative / electronica music with feather-light vocals in both English and Arabic. Zahed debuts his vocal talents in both languages via this EP to express his ever-growing concerns for social change around the world.

Sultan released his debut album, Hi Fear, Lo Love in 2011 and attained success with his single, I Want Her But I Don’t Want Her. Parisian DJ, Stephane Pompougnac, featured the single on the internationally acclaimed Hotel Costes 15 compilation. Prior to this, world-renowned house music label Global Underground and DJ Sasha awarded Zahed 3rd place for the Involver Remix Competition. Zahed’s Remix was later signed alongside DJ Sasha to America’s no.1 TV hit series CSI: Crime Scene Investigation.

Aspiring for his sound to permeate consciousnesses, and appeal to today’s community of change-makers, Zahed conjures up two original tracks and two intricately woven remixes too – drawing on inspiration from the likes of Radiohead, Gorillaz, Kanye West, Sigur Ros, and Nicolas Jaar.

Zahed releases his new EP in conjunction with an annual exposition he holds in Kuwait, entitled REUSE, to promote eco-friendly living via creative mediums. REUSE is an annual exposition that serves as an opportunity for non-profit organizations, companies, professionals and aspiring creative talents to showcase their accomplishments in the fields of social responsibility and sustainability via a range of artistic mediums and interactive activities for the general public. (www.projectreuseme.com). - UK Flow Mag

Zahed Sultan announces the release of his new record, Reuse Me – EP, as well as a new music video for the title track Reuse Me. Through his new body of work, Zahed delves deeper into uncharted territory – fusing influences in alternative / electronica music with feather-light vocals in both English and Arabic. Zahed debuts his vocal talents in both languages via this EP to express his ever-growing concerns for social change around the world.



Sultan released his debut album, Hi Fear, Lo Love in 2011 and attained success with his single, I Want Her But I Don’t Want Her. Parisian DJ, Stephane Pompougnac, featured the single on the internationally acclaimed Hotel Costes 15 compilation. Prior to this, world-renowned house music label Global Underground and DJ Sasha awarded Zahed 3rd place for the Involver Remix Competition. Zahed’s Remix was later signed alongside DJ Sasha to America’s no.1 TV hit series CSI: Crime Scene Investigation.

Aspiring for his sound to permeate consciousnesses, and appeal to today’s community of change-makers, Zahed conjures up two original tracks and two intricately woven remixes too – drawing on inspiration from the likes of Radiohead, Gorillaz, Kanye West, Sigur Ros, and Nicolas Jaar.

Zahed releases his new EP in conjunction with an annual exposition he holds in Kuwait, entitled REUSE, to promote eco-friendly living via creative mediums. REUSE is an annual exposition that serves as an opportunity for non-profit organizations, companies, professionals and aspiring creative talents to showcase their accomplishments in the fields of social responsibility and sustainability via a range of artistic mediums and interactive activities for the general public. (www.projectreuseme.com). - Rhythm & Booze

Zahed Sultan announces the release of his new record, Reuse Me – EP, as well as a new music video for the title track Reuse Me. Through his new body of work, Zahed delves deeper into uncharted territory – fusing influences in alternative / electronica music with feather-light vocals in both English and Arabic. Zahed debuts his vocal talents in both languages via this EP to express his ever-growing concerns for social change around the world.



Sultan released his debut album, Hi Fear, Lo Love in 2011 and attained success with his single, I Want Her But I Don’t Want Her. Parisian DJ, Stephane Pompougnac, featured the single on the internationally acclaimed Hotel Costes 15 compilation. Prior to this, world-renowned house music label Global Underground and DJ Sasha awarded Zahed 3rd place for the Involver Remix Competition. Zahed’s Remix was later signed alongside DJ Sasha to America’s no.1 TV hit series CSI: Crime Scene Investigation.

Aspiring for his sound to permeate consciousnesses, and appeal to today’s community of change-makers, Zahed conjures up two original tracks and two intricately woven remixes too – drawing on inspiration from the likes of Radiohead, Gorillaz, Kanye West, Sigur Ros, and Nicolas Jaar.

Zahed releases his new EP in conjunction with an annual exposition he holds in Kuwait, entitled REUSE, to promote eco-friendly living via creative mediums. REUSE is an annual exposition that serves as an opportunity for non-profit organizations, companies, professionals and aspiring creative talents to showcase their accomplishments in the fields of social responsibility and sustainability via a range of artistic mediums and interactive activities for the general public. (www.projectreuseme.com). - Rhythm & Booze

Zahed Sultan announces the release of his new record, Reuse Me – EP, as well as a new music video for the title track Reuse Me. Through his new body of work, Zahed delves deeper into uncharted territory – fusing influences in alternative / electronica music with feather-light vocals in both English and Arabic. Zahed debuts his vocal talents in both languages via this EP to express his ever-growing concerns for social change around the world. - Slate The Disco

Zahed Sultan announces the release of his new record, Reuse Me – EP, as well as a new music video for the title track Reuse Me. Through his new body of work, Zahed delves deeper into uncharted territory – fusing influences in alternative / electronica music with feather-light vocals in both English and Arabic. Zahed debuts his vocal talents in both languages via this EP to express his ever-growing concerns for social change around the world. - Slate The Disco

An irritatingly over produced and unneccesarily haphazard glitchiness takes the shine of what could otherwise have been an enjoyable EP. Sometimes less really is more. - The Music Fix

An irritatingly over produced and unneccesarily haphazard glitchiness takes the shine of what could otherwise have been an enjoyable EP. Sometimes less really is more. - The Music Fix

Reuse Me is the latest single from Zahed Sultan. This is a very unique song, one of which you can definitely not pigeon hole. It has so many influences going on, from his Arabic culture to current music.

The intro starts off with some nice scratching, and is used throughout the song however it isn’t over done. Other effects are used which you would expect from this genre, electronica, and enable the song to sound like nothing else currently available. It’s very laid back and perfect to relax to, however the music is on the whole very average.

The main problems occur when the lyrics start, they are unimaginative, repetitive, and in all truth not memorable. It doesn’t even matter that the lyrics are in English and Arabic, as they add nothing to the song at all. Some may find his feathery-light sung vocals add to the song immensely, but I feel he has missed a great opportunity to write something profound.

There is nothing that’ll set the world alight, great for fans but nothing at all that will persuade newcomers to warrant a purchase. It is easily forgotten and definitely not a classic by any means, which is a shame as Zahed Sultan has done something completely different but unfortunately hasn’t pulled it off at all. - Popbucket

Reuse Me is the latest single from Zahed Sultan. This is a very unique song, one of which you can definitely not pigeon hole. It has so many influences going on, from his Arabic culture to current music.

The intro starts off with some nice scratching, and is used throughout the song however it isn’t over done. Other effects are used which you would expect from this genre, electronica, and enable the song to sound like nothing else currently available. It’s very laid back and perfect to relax to, however the music is on the whole very average.

The main problems occur when the lyrics start, they are unimaginative, repetitive, and in all truth not memorable. It doesn’t even matter that the lyrics are in English and Arabic, as they add nothing to the song at all. Some may find his feathery-light sung vocals add to the song immensely, but I feel he has missed a great opportunity to write something profound.

There is nothing that’ll set the world alight, great for fans but nothing at all that will persuade newcomers to warrant a purchase. It is easily forgotten and definitely not a classic by any means, which is a shame as Zahed Sultan has done something completely different but unfortunately hasn’t pulled it off at all. - Popbucket