Tavana
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Tavana

Honolulu, Hawaii, United States | Established. Jan 01, 2007 | SELF

Honolulu, Hawaii, United States | SELF
Established on Jan, 2007
Solo Rock Blues

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Music

Press


"Prince of Polyrock"

If there's such a thing as Polynesian fusion rock, Tavana is its biggest star

Jamie Winpenny
Nov 28, 2007 .

If there is a genre in Honolulu called ‘island rock,’ it’s been redefined by Tavana McMoore. Quick to smile, humble and dead serious about his work, Tavana twists at his long black curls as he ponders how long he’s been making a living playing music in Honolulu. ‘Well,’ he says from beneath a stylish felt hat, ‘My last day job was back in 2000.’

That adds up to well over a thousand gigs, most of which have seen him alone onstage with his acoustic guitar and a mike stand. Playing five to seven nights a week at places like Tsunami’s, Holokai Grill and Sparky’s, Tavana has become a solo fixture in Waikiki. He’s recently made inroads into the thriving Chinatown scene, attracting a faithful gaggle on Tuesdays and Wednesdays at O’Toole’s Irish Pub. With a sound that’s part Sublime, part Ben Harper and a lot of Stevie Ray Vaughn, Tavana has forged a musical identity that attracts, all at once, the ladies, the braddahs and the military.

His new and self-released full-length album Only for the Light Hearted captures that essence, a journeyman’s humility and an artist’s peculiar devotion to his art. He picked up the guitar at 13, learning the pop songs that would be expected of a Kaiser ‘97 grad. ‘I was into Bob Marley early on,’ Tavana recalls. ‘But I moved to Clapton and Stevie Ray pretty quickly.’

The way he plays belies the fact that he comes from a family with a rich Polynesian musical heritage. His grandfather was the force behind Tavana’s ‘Polynesian Spectacular,’ for many years a Waikiki staple that astonished tourists and locals alike. Both parents are musicians. His sister Tepairu McMoore performed with the Polynesian revue ‘Tihati’ for a decade and his brother Malala was part of Hawai’i’s first genuine hip-hop outfit Ho’omanakaz.

Probably because he was destined to, Tavana ended up studying music, completing first the guitar performance and then the recording arts programs at the Musicians Institute in Los Angeles. He played coffee shop gigs to make ends meet while he was there, and that’s where his love for songwriting and performance began to blossom. ‘I was into shredding at first,’ he says, mimicking an eyes-closed math rocker with an air guitar. ‘But after I started playing those solo gigs, I started backing away from the scholastics of music and started writing.’

It’s never been easy for anyone to make it as a working musician in Honolulu. Tavana knows it. ‘I lived in the mountains over Hawai’i Kai for months when things got lean for a while,’ he confesses. He’s kept gigs with the roots reggae outfit Melodious Solutions, and performs regularly in Waikiki with the bar rock group BTR. But he recoils at the notion that he’s a band slut. ‘I play as much as I can more out of a loyalty to making music than to a paycheck.’

His many gigs over the years brought him working relationships with some of our most respected local musicians. That helped when he was recruiting talent for his album. Only for the Light Hearted features Justin James on drums, John Hawes on bass and percussion genius Lopaka Colon. Freesound guitarist Keith Batlin also sat in. The record’s tracks were well chosen, and reflect the broad range of influences that have shaped Tavana’s sound. Recorded here and mixed and mastered at Prairie Sun in the Bay Area, Only for the Light Hearted is a lucid aural demonstration of what’s going on in Tavana’s head. The songs are all his, and they’re all him.

And while selling records is generally the point of making them, Tavana remains committed to the gigs that have given him the resources to record. He plays like a savage, attacking his battered six-string with a focused abandon that is as fascinating to watch as it is to hear. Even when he’s covering a lilting Ben Harper favorite, it’s intense. He has recently enlisted the sing-along services of his girlfriend Kona Surento, a velvety counterpoint to his powerful lead vocals. There’s usually a guest on the djembe or the harmonica. Few seem willing to pick up a guitar next to him.

He is one of few local troubadours who have a real following. That is to say, there are a lot of people who show up whenever and wherever he’s playing. They know all of the material, and they request his original songs nine times out of 10. It’s the new ones who request Sublime, Ben Harper and Dave Matthews. Not that Tavana minds. ‘I love those songs, man.’

Having completed his solo debut, Tavana is now focused on the future, with plans for what he calls a Polynesian-fusion-rock revue. It seems that he is rediscovering his musical heritage. ‘I’m working on putting together rock with a Polynesian focus,’ he explains. ‘I want to incorporate Tahitian drums and dancers with a rock show.’ It’s an ambitious endeavor, but one to which he is most certainly suited. The guava doesn’t fall far from the tree. 

Hear Tavana’s music at  [tavanamus - Honolulu Weekly


"Prince of Polyrock"

If there's such a thing as Polynesian fusion rock, Tavana is its biggest star

Jamie Winpenny
Nov 28, 2007 .

If there is a genre in Honolulu called ‘island rock,’ it’s been redefined by Tavana McMoore. Quick to smile, humble and dead serious about his work, Tavana twists at his long black curls as he ponders how long he’s been making a living playing music in Honolulu. ‘Well,’ he says from beneath a stylish felt hat, ‘My last day job was back in 2000.’

That adds up to well over a thousand gigs, most of which have seen him alone onstage with his acoustic guitar and a mike stand. Playing five to seven nights a week at places like Tsunami’s, Holokai Grill and Sparky’s, Tavana has become a solo fixture in Waikiki. He’s recently made inroads into the thriving Chinatown scene, attracting a faithful gaggle on Tuesdays and Wednesdays at O’Toole’s Irish Pub. With a sound that’s part Sublime, part Ben Harper and a lot of Stevie Ray Vaughn, Tavana has forged a musical identity that attracts, all at once, the ladies, the braddahs and the military.

His new and self-released full-length album Only for the Light Hearted captures that essence, a journeyman’s humility and an artist’s peculiar devotion to his art. He picked up the guitar at 13, learning the pop songs that would be expected of a Kaiser ‘97 grad. ‘I was into Bob Marley early on,’ Tavana recalls. ‘But I moved to Clapton and Stevie Ray pretty quickly.’

The way he plays belies the fact that he comes from a family with a rich Polynesian musical heritage. His grandfather was the force behind Tavana’s ‘Polynesian Spectacular,’ for many years a Waikiki staple that astonished tourists and locals alike. Both parents are musicians. His sister Tepairu McMoore performed with the Polynesian revue ‘Tihati’ for a decade and his brother Malala was part of Hawai’i’s first genuine hip-hop outfit Ho’omanakaz.

Probably because he was destined to, Tavana ended up studying music, completing first the guitar performance and then the recording arts programs at the Musicians Institute in Los Angeles. He played coffee shop gigs to make ends meet while he was there, and that’s where his love for songwriting and performance began to blossom. ‘I was into shredding at first,’ he says, mimicking an eyes-closed math rocker with an air guitar. ‘But after I started playing those solo gigs, I started backing away from the scholastics of music and started writing.’

It’s never been easy for anyone to make it as a working musician in Honolulu. Tavana knows it. ‘I lived in the mountains over Hawai’i Kai for months when things got lean for a while,’ he confesses. He’s kept gigs with the roots reggae outfit Melodious Solutions, and performs regularly in Waikiki with the bar rock group BTR. But he recoils at the notion that he’s a band slut. ‘I play as much as I can more out of a loyalty to making music than to a paycheck.’

His many gigs over the years brought him working relationships with some of our most respected local musicians. That helped when he was recruiting talent for his album. Only for the Light Hearted features Justin James on drums, John Hawes on bass and percussion genius Lopaka Colon. Freesound guitarist Keith Batlin also sat in. The record’s tracks were well chosen, and reflect the broad range of influences that have shaped Tavana’s sound. Recorded here and mixed and mastered at Prairie Sun in the Bay Area, Only for the Light Hearted is a lucid aural demonstration of what’s going on in Tavana’s head. The songs are all his, and they’re all him.

And while selling records is generally the point of making them, Tavana remains committed to the gigs that have given him the resources to record. He plays like a savage, attacking his battered six-string with a focused abandon that is as fascinating to watch as it is to hear. Even when he’s covering a lilting Ben Harper favorite, it’s intense. He has recently enlisted the sing-along services of his girlfriend Kona Surento, a velvety counterpoint to his powerful lead vocals. There’s usually a guest on the djembe or the harmonica. Few seem willing to pick up a guitar next to him.

He is one of few local troubadours who have a real following. That is to say, there are a lot of people who show up whenever and wherever he’s playing. They know all of the material, and they request his original songs nine times out of 10. It’s the new ones who request Sublime, Ben Harper and Dave Matthews. Not that Tavana minds. ‘I love those songs, man.’

Having completed his solo debut, Tavana is now focused on the future, with plans for what he calls a Polynesian-fusion-rock revue. It seems that he is rediscovering his musical heritage. ‘I’m working on putting together rock with a Polynesian focus,’ he explains. ‘I want to incorporate Tahitian drums and dancers with a rock show.’ It’s an ambitious endeavor, but one to which he is most certainly suited. The guava doesn’t fall far from the tree. 

Hear Tavana’s music at  [tavanamus - Honolulu Weekly


"New Album Highlights Tavana's Unique Island Sound"

by AuthorMichele Van Hessen | Posted on DateJanuary 1, 2008

Tavana McMoore was born with a predisposition for performance. As a small boy, he listened to records of his Tahitian grandfather who produced the largest Polynesian show in Waikiki; Tavana Polynesian Revue. The revue ran at the Queen's Surf nightclub, the Ala Moana Hotel's Hawaiian Hut showroom and eventually moved to the Banyan Court, alongside the beach of the famous Moana Hotel on Waikiki Beach. The show's musical director and young impresario was Tavana's father who scouted the islands and atolls for talent. This lead to him meeting a professional dancer, who later became his wife and Tavana's mother. Tavana was inspired by the beauty, drama, and power of the musical instruments he heard, especially the guitar. His brother would borrow guitars so that Tavana could play. Then, on his thirteeth birthday, his father gave him a guitar. "I still have that guitar," said Tavana while setting up for a solo performance. "I began playing every day," he continued.

While attending Henry J. Kaiser High School, Tavana took his guitar to school every day and continued to create blends of the Polynesian rhythms and Western melodies. He lobbied to no avail, to have guitar introduced in the applied music course. Undaunted, he pursued higher study of his passion. After high school, he decided to attend the Musicians Institute, in Hollywood, which offers a comprehensive, hands-on education in contemporary music performance, recording, guitar making, music business and film. Tavana studied guitar and musical engineering.

"When I returned home, I opened the popular Chili's Grill & Bar in Kahala," said Tavana. "At a company party, one of the managers gave me my first break by offering me a salary to play guitar; and I've been working as a musician ever since," said Tavana smiling. For the last seven years, Tavana has been playing "island rock," which he has redefined through playing over a thousand performances. You can see him alone onstage with his acoustic guitar and a mic stand at O'Toole's Irish Pub. He is a singer, songwriter and guitarist who blends rock, folk, blues, gospel, and reggae with his own unique musical sound.

The new self-released, self-produced CD by Tavana McMoore is titled Only for the Light Hearted. Influenced by English rock guitarist, Eric Clapton and the ignited blues sound of Stevie Ray Vaughan, McMoore has written all the songs and music on the CD. He recorded it here with some of the top studio musicians in town including Justin James on drums, John Hawes on bass and percussion, Lopaka Colon on percussion and guitarist Keith Batlin. The CD was mastered at Prairie Sun in the Bay Area.

All are invited to the CD's launch party on Saturday, January 12th at The Loft, 115 Hotel Street (www.loft808.com). There will be lots of food and four bands to celebrate Only for the Light Hearted, which will be available for sale. For tickets to the event call (808) 688-8813.

Returning to his musical heritage has him focused on putting together rock with a Polynesian sound by incorporating Tahitian drums and dancers. Tavana's music is at tavanamusic.com or at myspace.com/tavanamusic.
- East Oahu Sun


"New Album Highlights Tavana's Unique Island Sound"

by AuthorMichele Van Hessen | Posted on DateJanuary 1, 2008

Tavana McMoore was born with a predisposition for performance. As a small boy, he listened to records of his Tahitian grandfather who produced the largest Polynesian show in Waikiki; Tavana Polynesian Revue. The revue ran at the Queen's Surf nightclub, the Ala Moana Hotel's Hawaiian Hut showroom and eventually moved to the Banyan Court, alongside the beach of the famous Moana Hotel on Waikiki Beach. The show's musical director and young impresario was Tavana's father who scouted the islands and atolls for talent. This lead to him meeting a professional dancer, who later became his wife and Tavana's mother. Tavana was inspired by the beauty, drama, and power of the musical instruments he heard, especially the guitar. His brother would borrow guitars so that Tavana could play. Then, on his thirteeth birthday, his father gave him a guitar. "I still have that guitar," said Tavana while setting up for a solo performance. "I began playing every day," he continued.

While attending Henry J. Kaiser High School, Tavana took his guitar to school every day and continued to create blends of the Polynesian rhythms and Western melodies. He lobbied to no avail, to have guitar introduced in the applied music course. Undaunted, he pursued higher study of his passion. After high school, he decided to attend the Musicians Institute, in Hollywood, which offers a comprehensive, hands-on education in contemporary music performance, recording, guitar making, music business and film. Tavana studied guitar and musical engineering.

"When I returned home, I opened the popular Chili's Grill & Bar in Kahala," said Tavana. "At a company party, one of the managers gave me my first break by offering me a salary to play guitar; and I've been working as a musician ever since," said Tavana smiling. For the last seven years, Tavana has been playing "island rock," which he has redefined through playing over a thousand performances. You can see him alone onstage with his acoustic guitar and a mic stand at O'Toole's Irish Pub. He is a singer, songwriter and guitarist who blends rock, folk, blues, gospel, and reggae with his own unique musical sound.

The new self-released, self-produced CD by Tavana McMoore is titled Only for the Light Hearted. Influenced by English rock guitarist, Eric Clapton and the ignited blues sound of Stevie Ray Vaughan, McMoore has written all the songs and music on the CD. He recorded it here with some of the top studio musicians in town including Justin James on drums, John Hawes on bass and percussion, Lopaka Colon on percussion and guitarist Keith Batlin. The CD was mastered at Prairie Sun in the Bay Area.

All are invited to the CD's launch party on Saturday, January 12th at The Loft, 115 Hotel Street (www.loft808.com). There will be lots of food and four bands to celebrate Only for the Light Hearted, which will be available for sale. For tickets to the event call (808) 688-8813.

Returning to his musical heritage has him focused on putting together rock with a Polynesian sound by incorporating Tahitian drums and dancers. Tavana's music is at tavanamusic.com or at myspace.com/tavanamusic.
- East Oahu Sun


Discography

Kicking and Screaming (2014)

Electric Monkey (2010)

Only for the Lighthearted (2007)

Photos

Bio

Tavana is a one-man band from Honolulu, HI who uses electronic drum triggers to lay down a variety of grooves with his feet to accompany himself while playing guitar and singing soulful, island-inspired Rock and Blues. This self-built pedal board was created over time as the result of a series of unforseen circumstances...
​
"A few years ago I lost my loop pedal after a show in Waikiki. This was a problem because I relied on the pedal to accompany me so I could showcase my leads in my solo act. Shortly after that I was at a gig at O'Toole's. I really wanted to take a solo. So I did, and to my surprise I noticed my foot was stomping on the stage keeping time for my lead. As this was  right at the base of the mic stand, it was booming in the speakers. I immediately lit up and was having fun again!"

From this simple foot-stomping beginning, Tavana began to add elements to his kit including a sizeable kick drum before refining that approach down to a series of foot triggers to accomplish his desired and now signature one-man-rock-band wall of sound. 

"Today I use 6 foot triggers to accomplish the sound I have achieved thus far. No loops. Everything played moment to moment...It's hard to explain how fun it is to do this. Its like having a whole band in your body and mind. And they can stop and go together on a dime!!! They can slow down, speed up or whatever in perfect unity! Every sound comes with its own identity, colors and emotions creating a much larger pallet from which to express yourself. Additionally it gives the player very little time to stray away from the music resulting in a truly meditative state."

The result of this exploration and improvisation became his 3rd Album - 'Kicking and Screaming' featuring hard-driving hits such as 'Mystery', 'Wise Up', and 'County Line' while also offering softer, more melodic tunes such as 'Baby Blue' which he wrote while trying to lull his newborn baby - Mavrik - to sleep one afternoon. 

Jamie Winpenny from Honolulu Weekly wrote that, 'If there's such a thing as Polynesian fusion rock, Tavana is its biggest star.' And indeed, Tavana has an original sound but one that has matched beautifully during his weekly 'Tavana Tuesdays' series at Crossroads Hawaiian Brian's - where he features a local or visiting artist each week to accompany him for a set -  with such legendary musicians as Barry Flanagan from HAPA, Leon Mobley from Ben Harper and the Innocent Criminals, John Cruz, and many more. 


Tavana has been the supporting act for Alabama Shakes, Shakey Graves, Xavier Rudd, Jenny Lewis, Julian Marley, and Kaleo to name just a few. 

And In 2009, Eddie Vedder invited Tavana to sing 'Hawaii 78' - a Hawaii anthem of sorts - with him at the Hawaii Theatre. "He's more the exception than the rule, he is a great human and I'm glad to know him" said Vedder while introducing Tavana to the audience. From their performance together, Vedder put it on a limited vinyl record given to 10,000 Pearl Jam fans.

Tavana's 2017 Album, 'Aloha Spirit' was nominated for 'Contemporary Album of the Year' for the Na Hoku Hanohano Awards (Hawaiian Grammy's) and won a 2019 'Compilation Album of the Year' Hoku Award for his part on Henry Kapono's album, 'The Songs of C&K.' 

Tavana has just returned to Hawaii after a long tour which included sold-out shows in Japan, Canada, and the US Mainland.